These are the interviews from the most recent editions of the weekly national radio broadcast of In The Studio .
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Jimi Hendrix and his British trio the Experience created a landmark double album in 1968 called Electric Ladyland, and fifty years after its release it may be difficult for many to fully understand the context in which it was made and the…
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By Spring 1968 Jimi Hendrix had returned triumphantly to the US from London after fifteen months, having electrified the rock world with two smash albums, the revolutionary debut Are You Experienced? and Axis: Bold as Love. It was all being…
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U2's "Rattle and Hum" saw the gauzy media perceptions of American culture by my guests Bono, The Edge, Adam Clayton, and Larry Mullen jr jammed up against a Reagan-era reality that did not always ring true.
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(cont)... As The Who's recognized Quadrophenia auteur , Townshend has assessed their almost half-century of musical creation and found it to be good . Pete is a delightful , witty , thoughtful , and refreshingly honest conversationalist who can easily and effectively examine The Who's epic 1973 opus through a slightly-detached , objective eye which only the passage of time , and maturity , can provide . -Redbeard
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Pete Townshend and Roger Daltrey join me In the Studio in this interview for the first in a two-part look at Quadrophenia , the last word on Townshend's October 1973 rock opera, which certainly is much more appreciated today than upon its initial release ...(more)
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Lindsey Buckingham made breathless headlines earlier this year by being fired from Fleetwood Mac, but us longtime watchers of that never-ending soap opera know well that for over a forty year period now, Buckingham's role has resembled Al Pacino's mafia Don Corleone character in Godfather 3 exclaiming, "Every time I think I'm out, they pull me back in!" Buckingham has put the free time to great use by collecting the best of his solo albums into Solo Anthology- The Best of Lindsey Buckingham.
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the conclusion of the interviews with Sir Elton John and lyricist Bernie Taupin about the blockbuster double album Goodbye Yellow Brick Road, which includes a segment on the remake of "Candle in the Wind '97", the biggest-selling recording in history.
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1973 masterpiece Goodbye Yellow Brick Road is a virtual greatest hits package unto itself. On its 45th anniversary Elton John & Bernie Taupin join me In the Studio as their Farewell Yellow Brick Road tour gets underway.
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The debut of the first Dire Straits album is indelibly etched in my memory as the "alternative to the alternative" that Autumn 1978. While the likes of the Sex Pistols, Ramones, and Elvis Costello stole the headlines away from rock's Establishment…
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Each night on the sold out Jeff Lynne/ ELO concert tour, one of the biggest crowd roars comes when Lynne performs a song from his "other band", the Traveling Wilburys, and flashes brief melancholy glimpses of the time thirty years ago when rock's ultimate Dream Team convened at a barbeque attended by Lynne, George Harrison, Tom Petty, and Bob Dylan, with Roy Orbison soon to follow.
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William Martin Billy Joel has sold more albums in the U.S. than any pop/rock singer except for Elvis Presley. Superstar musicians in that rarified league ( and many more only pretenders to it ) always surround themselves with gaggles of managers,…
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Between 1980 and 1986, the British trio Genesis released a series of four consecutive hit albums, each more successful than its predecessor by as many as five times. Because drummer/singer/songwriter Phil Collins had a parallel solo career take…
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In September 1988 it took a musical effort the size of New Jersey to successfully follow up the phenomenon of Bon Jovi's spectacular Slippery When Wet two years earlier, and the Garden State greats were more than up to the challenge, conjuring…
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Back when deejays on FM rock stations still chose the songs that you heard on the radio, before pre-scheduled computerized playlists, it wass not possible to accurately quantify exactly how many times a particular song or album was getting airplay…
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Standing outside the Dallas hotel in September 1987 beside the giant gleaming Lynyrd Skynyrd Tribute Tour bus, even the drone of the idling diesel engine could not drown out the echoes in my mind of the final notes of the final show which…