These are the classic rock interviews and rock music interviews from the most recent weekly episodes  of In The Studio with Redbeard.

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Allman Brothers Band- Live Fillmore East-the late Gregg Allman, Dickey Betts

The original Allman Brothers Band had to be seen and heard live to be fully appreciated, and in 1971 the band headlined four shows over two nights on March 13-14 at the Fillmore East that were recorded. My guests remember it well: one of two original guitarists, Dickey Betts, & the late great Gregg Allman.
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Steve Winwood- Back in the High Life

"Higher Love", the #1 seller and winner of both the "Record of the Year" and "Song of the Year" Grammys for 1986, isn't about doing it in the top bunk. It's about love on a spiritual plane, not an airplane. By his mid-twenties, Steve Winwood already may have  been on a hall of fame career pace, singing and playing hits as a mere teenager with the Spencer Davis Group ("Gimme Some Lovin' "," I'm a Man"), Traffic, and Blind Faith. Yet Winwood told me in this  classic rock interview about 1986's "Back in the High Life"  that a 1972 bout with peritonitis almost killed him...
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Genesis- Invisible Touch- Mike Rutherford, Tony Banks, Phil Collins

Concerts came back just in time for the anniversary of Genesis' biggest album in their long fifty year+ career, Invisible Touch  (worldwide sales estimated at 15,000,000), so we convene Mike Rutherford, Tony Banks, and Phil Collins here In the Studio  to discuss the blockbuster sales behind "Tonight, Tonight, Tonight", "Land of Confusion", "In Too Deep", "Throwing It All Away", and "Invisible Touch".
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Metallica- Load- James Hetfield, Kirk Hammett

Metallica "Load" did not budge from the top seller position for a full four consecutive weeks in June 1996 because of such tender love songs as "Ain't My Bitch","Bleeding Me","King Nothing", "The House  Jack Built", and "Until It Sleeps". Guitarist/singer James Hetfield and guitarist Kirk Hammett are surprisingly unguarded, conversational, and open about this dizzying rocket ride into superstardom.
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Rod Stewart- Every Picture Tells a Story

When the Jeff Beck Group made their American debut at New York City's Fillmore East, no one in the audience watching  the young lead singer Rod Stewart hide behind the backline amps  due to major stage fright could have imagined that the raspy-throated rooster-haired Englishman would become an international star just three years later with his third solo album, 1971's "Every Picture Tells a Story". 
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Peter Gabriel- So

(cont)...It was not until stumbling into the broadcast media/entertainment business that I got to witness, up close and personally, individual musicians who have been given enormous powers of influence through the modern phenomenon of celebrity, by the very people who they entertain. Case in point is this week's classic rock interview subject: ex-Genesis lead singer Peter Gabriel had a cult following after four studio solo albums, with his most significant creation being the ground-breaking "Shock the Monkey" video. But with the May 1986 release of So (#1 UK,#2 U.S., over 5 million sold; 4 Grammy nominations including Album and Record of the Year for the #1 hit "Sledgehammer"), Peter Gabriel was vaulted into international pop stardom with all of its attendant door-opening , barrier-eliminating amenities...(more)
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Steve Miller- Fly Like an Eagle

Sales of Steve Miller Band's "Fly Like an Eagle",  which includes "Rock 'n Me","Take the Money and Run","Wild Mountain Honey","Serenade","Mercury Blues", and the title song have exceeded five million copies of Rolling Stone magazine's Album of the Year 1976, plus a berth on that mag's 500 Greatest Albums All Time list.
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Aerosmith- Rocks- Steven Tyler, Joe Perry, Tom Hamilton, Brad Whitford, Joey Kramer

Aerosmith "Rocks". It was a declarative statement in Spring 1976 with no equivocation. If "Toys in the Attic" a year earlier had been the definitive mid-Seventies  American hard rock statement, then Aerosmith "Rocks" made it musically imperative with "Back in the Saddle", "Sick as a Dog", the clever sequel to "Toys..." with "Rats in the Cellar", and another infectious Steven Tyler/Brad Whitford hit, "Last Child". 
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AC/DC- High Voltage- Angus Young

AC/DC's lead guitarist Angus Young is my guest, with priceless memories from the In the Studio archive by the late AC/DC rhythm guitarist/ riffmaster Malcolm Young, on the forty-fifth anniversary of "High Voltage" .
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Billy Squier- Don’t Say No

My guest Billy Squier's 1981 second solo album “Don't Say No” sold over three million copies because of songs "In the Dark" , "My Kinda Lover" , "Lonely Is the Night", & the big hit " The Stroke".
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Bob Seger- Live Bullet

"It took me twelve years to make that album Live Bullet ," Bob Seger  solemnly emphasizes to me in this classic rock interview from Bob Seger and the Silver Bullet Band in April 1976. This  may be the only six million-seller in history which failed to make the Top Thirty in sales when initially released.
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Rush- 2112: Early Best 45th Anniversary- Geddy Lee, Alex Lifeson

"2112"  by Rush was an amalgam of hard rock, progressive rock, science-fiction and Ayn Rand socio-economics right about the same time that The Ramones, The Dead Boys, and Ian Dury and the Blockheads were singing "Sex and Drugs and Rock'n'Roll". So things were about to get interesting in 1976. Geddy Lee and Alex Lifeson of Rush join me here In the Studio
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Led Zeppelin- Presence- Jimmy Page

Thus began a five year period when a series of tragedies befell Led Zeppelin even while they continued to record timeless hard rock such as "Achilles' Last Stand","Nobody's Fault but Mine", and "For Your Life" from Presence  which amaze even now almost half a century later. Jimmy Page blesses us with his Presence  and joins me here In the Studio  for “Physical Graffiti” and "Presence" .
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Van Halen- 5150- Sammy Hagar, Alex Van Halen, Michael Anthony, the late Eddie Van Halen

For the 35th anniversary, the late Eddie Van Halen's interview In the Studio is included with Sammy Hagar, brother Alex Van Halen, & Michael Anthony for the story of "5150".
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Doobie Brothers- Takin’ It to the Streets- Tom Johnston, Pat Simmons, Michael McDonald

The fact that the Doobie Brothers reinvented themselves for their March 1976 album "Takin' It to the Streets"  is quite widely known, but the reasons for the musical shift, and the manner in which they made it work so successfully, is a fascinating back-story worthy of an HBO mini-series.. On the album's 45th anniversary, Tom Johnston, Pat Simmons, & Michael McDonald are all here In the Studio to recall how it really went down.