These are the interviews from the most recent editions of the weekly national radio broadcast of In The Studio .
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"Outlandos d'Amour has a certain grotesque, naive charm about it," Sting confesses in this rockumentary about the Police debut,"but Regatta de Blanc was infinitely a much better record." He was absolutely correct, of course, but it was…
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Chrissie Hynde with the life-and-death story, times two, behind one of the Eighties' great comeback albums Learning to Crawl in this particularly tough yet tender classic rock interview about the January 1984 Pretenders effort including…
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The Doors Strange Days was released barely nine months after The Doors' debut opened up a meteoric new star in the rock galaxy. The late band co-founder Ray Manzarek held the key to opening the timeless Doors legacy here In the Studio…
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Let me clue you in to a little-known showbiz PR secret to which no one in Hollywood or network TV will ever admit: when you suddenly see big movie stars who rarely grant interviews suddenly showing up on every early morning and late night talk…
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If you were fortunate in 1983 to discover the first full-length album Murmur from Athens GA-based R.E.M. , you probably realize that it sounded unlike anything else at the time,and precious little ever since except maybe their followup Reckoning.Over the next four years and five albums on indie label IRS,Michael Stipe,Peter Buck,Mike Mills,and Bill Berry made some of the smartest,quirky,angular rock of any American band...(more)
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"Ev'rywhere I hear the sound Of marching charging feet, boy 'Cause summer's here and the time is right For fighting in the street, boy Well now, what can a poor boy do Except to sing for a rock n' roll band? 'Cause in sleepy London town There's…
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After experiencing YES for my third tour, performing in the round on a revolving stage in Fall 1978 in Memphis, I distinctly recall thinking that this was the best way to see any band larger than a quartet. YES had always consisted of musicians…
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Paul McCartney joins me In the Studio here in part two of the 50th anniversary of theBeatles' White Album to explore the songs "Birthday", Lennon's "Everybody's Got Something to Hide Except for Me and My Monkey", Paul's "Mother Nature's Son", one of three versions of "Revolution", the campy pally band arrangement on "Honey Pie", Lennon's "Cry Baby Cry", and the real inspiration behind the song which figured into the notorious Charles Manson multiple murder case,"Helter Skelter".
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The Beatles "White Album" 50th Anniversary: How can an album accomplish so much by embedding itself indelibly in popular culture, continuing to influence generations a half century after release, while on the surface revealing so little about its contents and its creators?
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Jimi Hendrix and his British trio the Experience created a landmark double album in 1968 called Electric Ladyland, and fifty years after its release it may be difficult for many to fully understand the context in which it was made and the…
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By Spring 1968 Jimi Hendrix had returned triumphantly to the US from London after fifteen months, having electrified the rock world with two smash albums, the revolutionary debut Are You Experienced? and Axis: Bold as Love. It was all being…
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You know after a best-selling book is made into a popular film how you'll hear from early adopters, "Yeah it's good, but there was a lot in the book that wasn't in the movie"? Same can be said for the four Oscar-winning Queen biopic Bohemian…
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U2's "Rattle and Hum" saw the gauzy media perceptions of American culture by my guests Bono, The Edge, Adam Clayton, and Larry Mullen jr jammed up against a Reagan-era reality that did not always ring true.
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(cont)... As The Who's recognized Quadrophenia auteur , Townshend has assessed their almost half-century of musical creation and found it to be good . Pete is a delightful , witty , thoughtful , and refreshingly honest conversationalist who can easily and effectively examine The Who's epic 1973 opus through a slightly-detached , objective eye which only the passage of time , and maturity , can provide . -Redbeard
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Pete Townshend and Roger Daltrey join me In the Studio in this interview for the first in a two-part look at Quadrophenia , the last word on Townshend's October 1973 rock opera, which certainly is much more appreciated today than upon its initial release ...(more)