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To mark the thirty-fifth anniversary of his unpretentious, unadorned career crossroads, the In the Studio archives share the unfiltered thoughts of the late Tom Petty before, during, and after the making of “Full Moon Fever” the week of April 15.
It was indeed Little Feat who played a hot show to over 10,000 Q102 blood donors at the Dallas Convention Center Arena in November 1988. Live mix on the medley “Spanish Moon” into “Skin It Back”.
Bad Company ended the Seventies decade strongly on the wings of “Desolation Angels” forty-five years ago, and Paul Rodgers, Mick Ralphs, and Simon Kirke join Redbeard In the Studio to recall making “Rock and Roll Fantasy”,”Oh Atlanta”, and “Gone Gone Gone”.
For the golden anniversary of Kiss, lead singer/guitarist/songwriter Paul Stanley told me about the band fraternity of groups with whom they shared the stage some fifty years ago, “The lovefest ended when we hit the stage, because we were there to destroy them.” Gene Simmons agrees, “Putting on the make up was like putting on warpaint.”
Forty-five years ago, Cheap Trick was poised on the brink, but depending on what continent you were referencing, it could have been the brink of Beatlemania-type mass popularity (as in Japan that Summer 1978), or the brink of disaster here at home, where they had rave reviews for their first three albums but no radio […]
John Waite and Jonathan Cain put on their big boy pants for a frank conversation about The Babys on the 45th anniversary of “Head First”, the album which featured their hit,”Every Time I Think of You”” in Winter 1979.
It is the fortieth anniversary of the massively popular September 1983 release “Sports” by Huey Lewis and the News. Huey Lewis is my guest here In the Studio.
It’s the golden anniversary of Steve Miller Band’s first #1 song and five million seller, “The Joker”. Steve Miller is my guest In the Studio.
Joe Bonamassa “Sloe Gin” interview In the Studio.
Over the fifty+ years the perception seems to have become that Lynyrd Skynyrd had a date with destiny, an almost Shakespearean drama of dreams, aspirations, triumph, and tragedy to which all of us were immediately and keenly aware from the moment of “Pronounced” ‘s release. The late Gary Rossington dismissed that assumption as no more true than imagining Will Shakespeare did not toil, struggle, and starve in relative obscurity in his time.