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When revisiting the Rush April 1984 release “Grace Under Pressure”, I had to double-check the math. Could “Grace Under Pressure”, in my mind that mid-period transitional album for the Toronto-based trio, really have been their tenth studio album in as many years? The late Neil Peart of Rush discussed it all on opening night of the “Grace Under Pressure” 1984 tour.
When we met in 1978, we were both in our mid-twenties, but I realized even then that Tom Petty had a very old soul, wise and true, and that sense only increased over the next four decades…The late Tom Petty is my guest In the Studio for the story of “Full Moon Fever”on its thirty-fifth anniversary.
This late 1987 interview with The Cult lead guitarist/co-writer Billy Duffy reflects the frustration, duplicated effort, and enormous expense the band incurred making the preceding album, “Electric”, as well as the subsequent success they found with the final results, pointing ahead to the platinum success thirty-five years ago with “Sonic Temple”.
Note how Florida natives the late Tom Petty and the Heartbreakers stood their ground with a six-string rather than a six-shooter. It’s a different take on “I Won’t Back Down” from San Francisco’s Fillmore during a nationwide radio broadcast in February 1997.
YES innovated in early 1994 with “Talk”, and singer/lyricist Jon Anderson and singer/guitarist/composer Trevor Rabin joined me In the Studio to talk about “Talk”.
To mark the thirty-fifth anniversary of his unpretentious, unadorned career crossroads, the In the Studio archives share the unfiltered thoughts of the late Tom Petty before, during, and after the making of “Full Moon Fever” the week of April 15.
Ultra-rare nightclub appearance by a young and hungry Robin Trower barely two years after risking everything by leaving Procol Harum, and just four months after the release of their second album, Bridge of Sighs. Robin takes no prisoners.on “The Fool & Me” 1974.
March 1994’s “The Division Bell” by Pink Floyd became the last offering of new music from the remaining triumvirate of singer/guitarist/composer David Gilmour, drummer Nick Mason, and keyboard player Richard Wright. “The Division Bell” sold over three million copies just in the Nineties thirty years ago. Gilmour and Mason join me In the Studio on the 30th anniversary.
The story of Collective Soul emerged a little more than thirty years ago from the basement of Stockbridge, Georgia songwriter Ed Roland’s parent’s basement. But after selling over a million copies of the album “Hints, Allegations,& Things Left Unsaid”, primarily on the phenomenon of “Shine” alone…Ed Roland is my guest In the Studio.
It’s the golden anniversary of The Eagles’ third release, “On the Border”. Eagles co-founder Glenn Frey was exceedingly proud of their second album, 1973’s “Desperado”. Purely in popularity and chart stats, that sophomore record had the lowest glide path of any Eagles effort, yet in this exclusive In the Studio interview Frey and original Eagles bass player/ singer/ songwriter Randy Meisner make a detailed case for why, on its golden anniversary, “Desperado” may be the most formative flight of all.