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353 search results for: Who

221

Showco- Jim Bornhorst part 4

Jim calls out the companies big and small who were first offered the VariLite …and passed (it’s a big club, they should print up jackets ); Genesis manager Tony Smith catches the Hail Mary pass; wire-wrapping thousands of microprocessor card connections by hand, flawlessly, & delivering 55 VariLites to Genesis in nine months, Sept 1981; […]

223

Emerson, Lake, and Palmer- Tarkus

Listening now to the epic title song to “Tarkus , the second studio album in June1971 which followed quickly after their stunning 1970 debut, with Greg Lake’s voice delicately yet nimbly bounding along to Keith Emerson’s piano runs, it’s clear that Emerson Lake and Palmer were much  less “Be Bop a Lula” in their melodic grandeur and much more “Andrew Lloyd Weber”. Here In the Studio is the story in their own words of progressive rock’s first supergroup.

224

George Harrison- All Things Must Pass

It is the  fiftieth anniversary of “All Things Must Pass” from the late George Harrison, who surprised everybody by becoming the most popular maker of solo music for the first five years after the Beatles called it a career. George Harrison talks easily about “What Is Life?”,”My Sweet Lord”,”Isn’t It a Pity” from the triple LP massive ( and massively popular) All Things Must Pass; 

226

Simple Minds- Once Upon a Time- Jim Kerr

Simple Minds broke from performing the hit “Don’t You Forget About Me” in the soundtrack rolling under the end credits of the John Hughes Brat Pack movie “The Breakfast Club” in early 1985. But that’s just the beginning of the story of Simple Minds’ breakthrough album “Once Upon a Time” . we have lead singer/ lyricist Jim Kerr here In the Studio.

227

Billy Joe Shaver- Georgia on a Fast Train/ Live Forever- Dallas 4-07

The time back in Spring 2007 when noted Texas songwriter Billy Joe Shaver sang “Georgia on a Fast Train” and “Live Forever” and told me stories on my afternoon Dallas/ Ft.Worth radio show, it wasn’t so much an interview as a case of squatter’s rights,  as it turns out much like the way in which he introduced himself to the late great Waylon Jennings, who would cover many of Billy Joe’s songs while defining the sound of Outlaw Country on such seminal albums as Honky Tonk Heroes  and This Time  in 1973.

228

Allman Brothers Band- Idlewild South- the late Gregg Allman

…for me in Autumn 1970 with discovering the Allman Brothers Band, as it was their second album, “Idlewild South” , which was my gateway drug to a five decade musical high for what turned out to be, as legendary producer Tom Dowd put it it, “the greatest musical fusion I’ve ever witnessed.”

230

Black Sabbath- Paranoid- Ozzy Osbourne

In late 1970 the world into which the Birmingham England band Black Sabbath quickly rose to popularity with their second album, “Paranoid”, felt increasingly like a dangerous place. In this classic rock interview original Black Sabbath singer / lyricist Ozzy Osbourne has fond memories of those days when he and his  mates from the working-class neighborhood Aston decided to ditch their trendy blues music, cut the band down from a 6-piece to four, and started doing what Ozzy characterizes in this classic rock interview as “spooky music”.