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In memoriam : the echoes In the Studio of Neil Peart of Rush, Walter Becker of Steely Dan, Ric Ocasek of The Cars, Paul Barrere of Little Feat, plus David Bowie, Glenn Frey, Chris Squire & Alan White of YES, Chris Cornell. Part two.
When it’s the REO Speedwagon brand, you’ll be surprised how fresh and tasty forty-five year old “Tuna Fish” is! Kevin Cronin and Neal Doughty of REO are In the Studio with Redbeard.
In February 1973 when Alice Cooper’s sixth album “Billion Dollar Babies” went #1 sales, we all thought that Marshall McLuhan, Andy Warhol, and Alice Cooper were being hyperbolic with their predictions about video fame’s impact on society. We laughed then, but as it turns out, the joke’s on us…Alice Cooper is my fascinating guest on the 50th anniversary of “ Billion Dollar Babies”.
“In the Studio” : David, Stephen, Graham, and Neil of Crosby, Stills, Nash , and Young with Redbeard for “Deja Vu” .
Bryan Adams interview to explore his breakthrough album “Cuts Like a Knife” from January 1983
Cream’s breakthrough album “Disraeli Gears” only nine months earlier tee’d up the English/Scottish trio’s June 1968 third release, “Wheels of Fire”, for some impressive numbers. It went almost immediately to #3 sales in the UK and a bonafide #1 in the US, becoming the first double album to sell over a million copies. Eric Clapton & the late Jack Bruce are my guests.
Styx co-founder Dennis DeYoung, lifer James “JY” Young, and then recently recruited Alabama boy Tommy Shaw all join me here with current Styx keyboardist/vocalist Lawrence Gowan In the Studio for the early days of being the perennial opening act, saddled with the curse “big in the Flyover States”, all the while writing and recording “Fooling Yourself”,”Come Sail Away”,”Miss America”, “Man in the Wilderness”, and “Grand Illusion”.
When it came exploding out of the dashboard radio in May 1972, “School’s Out” by Alice Cooper was louder, brasher, with more swagger than anything we’d ever heard on the Top 40. But with the Woodstock Generation inheriting a world of endless Viet Nam War escalation, Richard Nixon landslide re-election, while astronauts golfed on the moon, “School’s Out” ominously was a sobering reality check for millions as well. Alice Cooper is my guest In the Studio on the golden anniversary.
“So Happy It Hurts” is the Canadian rocker’s fifteenth (!) studio album, and he’s not even old enough to get the Early Bird Special down at Denny’s. Adams became a star way back in late 1984 with “Reckless”, one of the Eighties’ biggest sellers, then in 1991 absolutely crushed it with “Waking Up the Neighbours”, an all-time biggest selling album in history. Bryan Adams’ seventh studio album, “18 ‘Til I Die” , was a #1 seller in the UK and Top Five sales internationally. But when “18 ‘Til I Die” came out in June 1996, US rock radio programmers decided, in spite of the music actually on the album to the contrary, to brand Bryan Adams a love song balladeer, not rock enough, not alternative enough, not cool enough. Adams finally addresses the issue with tongue firmly in cheek on the song “Kick Ass” from “So Happy It Hurts” with the help of the brilliant British pillar of Python humor, John Cleese, who has been skewering pompous pundits for half a century. Also listen to the infectious “Never Gonna Rain Again” which could be Bryan Adams’ next big hit.
To carve in three dimensions the zeitgeist of the Summer of Love in 1967 America, you would have to chisel the Jefferson Airplane’s second album “Surrealistic Pillow” into any Mt. Rushmore of Rock…Jefferson Airplane co-founder singer/songwriter Marty Balin (who passed away 2018), Grace Slick, and rhythm guitarist/songwriter Paul Kantner, who died in 2016, joined me for this landmark recording “Surrealistic Pillow” released the first week of February 1967.