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351

Bryan Adams- So Far So Good/ So Happy It Hurts

“So Happy It Hurts” is the Canadian rocker’s fifteenth (!) studio album, and he’s not even old enough to get the Early Bird Special down at Denny’s. Adams became a star way back in late 1984 with “Reckless”, one of the Eighties’ biggest sellers, then in 1991 absolutely crushed it with “Waking Up the Neighbours”, an all-time biggest selling album in history. Bryan Adams’ seventh studio album, “18 ‘Til I Die” , was a #1 seller in the UK and Top Five sales internationally. But when  “18 ‘Til I Die” came out in June 1996, US rock radio programmers decided, in spite of the music actually on the album to the contrary, to brand Bryan Adams a love song balladeer, not rock enough, not alternative enough, not cool enough. Adams finally addresses the issue with tongue firmly in cheek on the song “Kick Ass” from “So Happy It Hurts” with the help of the brilliant British pillar of Python humor, John Cleese, who has been skewering pompous pundits for half a century. Also listen to the infectious “Never Gonna Rain Again” which could be Bryan Adams’ next big hit.

352

Neil Young- Harvest

Neil Young delivered “Harvest”, his most popular and , perhaps, most influential album in February 1972. Only Bob Dylan’s groundbreaking “Nashville Skyline”… the touchstones for the whole Americana musical genre.

353

Jefferson Airplane- Surrealistic Pillow- Grace Slick, the late Marty Balin & Paul Kantner

To carve in three dimensions the zeitgeist of the Summer of Love in 1967 America, you would have to chisel the Jefferson Airplane’s second album “Surrealistic Pillow” into any Mt. Rushmore of Rock…Jefferson Airplane co-founder singer/songwriter Marty Balin (who passed away 2018), Grace Slick, and rhythm guitarist/songwriter Paul Kantner,  who died in 2016, joined me for this landmark recording “Surrealistic Pillow” released the first week of February 1967.

355

Jackson Browne- 50th anniversary

This interview with Jackson Browne features highlights”Doctor My Eyes”,”Jamaica Say You Will”, and “Rock Me on the Water” from his January 1972 debut; “Late for the Sky” ‘s  title song as well as “Fountain of Sorrow” from 1974; his commercial breakthrough and multi-million seller “The Pretender” in November 1976 with “Here Come Those Tears Again” and the timeless title song; and a 2010 live acoustic version of the 1977  Jackson Browne mega-hit “Running on Empty”.

356

The Doors- Ray Manzarek

In January 1967 when John Densmore’s snare drum cracked like a rifle shot before Ray Manzarek’s nimble fingers made their intricate run of baroque-sounding notes on that reedy Farfisa organ, all on the introduction to jazz/flamenco guitarist Robbie Krieger’s composition “Light My Fire”, it clearly and boldly announced a unique approach to rock and roll that really has no peer. And all of that before Jim Morrison stepped up to the microphone to introduce one of the greatest voices and hedonistic personalities in rock history. Not unlike Creedence Clearwater Revival from the same period, no other American bands put out more albums in less time which were more influential in the last 50+ years. And like CCR, no one ever sounded like The Doors ever since. Here is Doors co-founder the late Ray Manzarek with me In the Studio to mark The Doors anniversary. -Redbeard

358

Badfinger- Straight Up- Joey Molland,the late Mike Gibbins

It was over fifty years ago that US audiences were introduced through a Paul McCartney song,”Come and Get It”, to a little-known English band The Iveys, soon to be rechristened Badfinger and to become second only to The Beatles in sales on the Apple Records label.

359

David Bowie- Hunky Dory- David Bowie, Mick Ronson

“Hunky Dory”, David Bowie’s December 1971 fourth album, hard to believe when reading all of the revisionist raves now, that “Hunky Dory”  was a commercial flop, so much so that it failed to even make the Billboard Top 200 sales chart. The late great David Bowie joined me here In the Studio  for the tale, as did his original wingman, guitarist Mick Ronson, for the scoop on “Changes”,”Andy Warhol”, and “Life on Mars?”

360

Men At Work- Business as Usual- Colin Hay

Men At Work managed to occupy the peak slot in America for 15 weeks. The songs “Who Can It Be Now?” and “Down Under” followed the Business As Usual debut album from Men At Work to #1 sales for all three in the U.S., something never before done by a rookie band, not even the Beatles.