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After a totally forgettable first album, the Doobie Brothers’ sophomore effort “Toulouse Street” may just be the strongest second act of the Seventies. In the Studio Tom Johnston, Pat Simmons, & John Hartman joined me forf “Listen to the Music”,”Rockin’ Down the Highway”,”Disciple”, and the definitive cover of “Jesus is Just All Right”.
“Trilogy”, Emerson, Lake, and Palmer’s third studio album and fourth overall in barely two years, was released in July 1972, a high watermark peak for Progressive Rock’s quality as well as massive popularity ( #2 UK, #5 Billboard in the US )…Trilogy has remained a favorite over these many changes in rock music as the place where Keith Emerson, Greg Lake, and Carl Palmer’s ambitions to expand the palette of rock music were perfectly balanced by terrific songwriting and production on “The Endless Enigma”, “From the Beginning”, a terrific concert showstopper cover version of Aaron Copland’s “Hoedown” from the stage musical Oklahoma!, and the title song opus. Carl Palmer hosts with archival interviews from both the late Keith Emerson and Greg Lake.
After years of struggle as the undercard rock palooka who could take a punch and never go down, in 1984 Sammy Hagar answered the bell and came out swinging, scoring a technical knockout with his mainstream hit “I Can’t Drive 55” from his eighth solo album “VOA”. Then in 1987 Sammy won by a knockout with his solo album “I Never Said Goodbye”, at #14 his highest charting album ever, and that while being newly installed as Van Halen’s lead singer. Sammy Hagar is my guest In the Studio.
“It took me sixteen hours to get to Dallas Texas today!”, sings Sammy Hagar to the huge crowd near the end of this legendary free concert in the blocked off streets of downtown Dallas Texas that sunny December afternoon during the performance with Van Halen of his anthem, “I Can’t Drive 55”.
Rare classic rock interview with the namesake British recording engineer/producer of the Alan Parsons Project, whose 1977 second album in collaboration with composer the late Eric Woolfson was once again based on a famous literary work, this time the Isaac Asimov science fiction classic “I, Robot”.
Preparing this interview with Black Crowes co-founders singer Chris Robinson and his younger guitar-playing brother Rich Robinson to mark their second release, “The Southern Harmony and Musical Companion”, the deja vu was uncanny and not a little bit unsettling. Constantly I had to remind myself that the trends these Atlanta natives were seeing in the mid-1990s, and the predictions they made then, sound eerily like today’s headlines. Peering now into their spyglass in reverse, it is both remarkable in its accuracy but, I must admit, troubling in its sense of creeping inevitability.
Jimi Hendrix mutated rock’s DNA & we have been trying to decode the Hendrix genome for more than half a century ever since “Are You Experienced?” was released in the UK May 1967. Jimi Hendrix Experience drummer the late Mitch Mitchell, Hendrix recording engineer Eddie Kramer, & expert Hendrix biographer/ archive producer John McDermott are my guests In the Studio..
When it came exploding out of the dashboard radio in May 1972, “School’s Out” by Alice Cooper was louder, brasher, with more swagger than anything we’d ever heard on the Top 40. But with the Woodstock Generation inheriting a world of endless Viet Nam War escalation, Richard Nixon landslide re-election, while astronauts golfed on the moon, “School’s Out” ominously was a sobering reality check for millions as well. Alice Cooper is my guest In the Studio on the golden anniversary.
Aimee Mann, almost unplugged, performs “Put Me on Top” from her solo debut “Whatever” atop (literally) Ft.Worth club Caravan of Dreams overlooking Sundance Square in April 1992 .-Redbeard
Deep Purple’s “Machine Head” album was made amidst a virtual minefield of misfortunes, any one of which had the potential to thwart the effort. Here is the real story from Ian Gillan & Roger Glover In the Studio.