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“Love It to Death” in March 1971 may have been the the third album by the band Alice Cooper, but that doesn’t change the fact that nobody bought the first two. By December of that same year, EVERYBODY had heard “I’m Eighteen” off of Love It to Death , and Alice Cooper had written and recorded a soon-to-be-classic additional full album, Killer .And it was
The remarkably durable breakthrough fourth album by progressive rockers YES has turned out to be anything but “Fragile”… YES co-founder Jon Anderson is joined In the Studio by keyboard innovator Rick Wakeman who joined the band to make “Fragile”.
So when their sophomore effort “Get Lucky” came out in Fall 1981, these Canadian rockers Loverboy were the right band at the right time. North American rock radio was waiting in anticipation for”Working for the Weekend”, along with “When It’s Over”, “Jump” co-written by fellow countryman Bryan Adams, “Gangs in the Street”, and “Take Me to the Top”. Lead singer Mike Reno and guitarist Paul Dean recall how nice guys don’t finish last in this In The Studio classic rock interview.
If you’ve ever been in a band, you need to listen to this honest, heartwarming, hysterically funny interview with Triumph … 1979 breakthrough “Just a Gam”e with the songs “Hold On” and “Lay It on the Line”, plus the even bigger seller “Allied Forces” forty years ago with “Magic Power” and “Fight the Good Fight”.
In July 1981, Stevie Nicks already was in arguably America’s most popular band, Fleetwood Mac, but her first solo album then, “Bella Donna”, took her career to another level entirely, a fact that was by no means guaranteed and which came at some cost. Stevie spells it all out quite candidly In the Studio while revealing the stories and characters behind “Edge of Seventeen”, “Leather and Lace” with Don Henley, and the timeless duet with Tom Petty on his “Stop Draggin’ My Heart Around”.
” It went platinum (1,000,000 sales ) in thirteen days,” Pat Benatar states matter-of-factly while she and hubby/ musical director Neil Giraldo reminisce In the Studio about the explosive third album,”Precious Time”, as it headed rapidly to the top-selling perch in America in Summer 1981…
Aerosmith “Rocks”. It was a declarative statement in Spring 1976 with no equivocation. If “Toys in the Attic” a year earlier had been the definitive mid-Seventies American hard rock statement, then Aerosmith “Rocks” made it musically imperative with “Back in the Saddle”, “Sick as a Dog”, the clever sequel to “Toys…” with “Rats in the Cellar”, and another infectious Steven Tyler/Brad Whitford hit, “Last Child”.
It’s the thirtieth anniversary of the long dreamed about, too good to last summit meeting of both Seventies- and Eighties-era YES members on the album “Union”, with Jon Anderson, Trevor Rabin, Alan White, Steve Howe, Tony Kaye, and the late Chris Squire ALL In the Studio.
The early 1996 solo project release “Victor” by Rush guitarist Alex Lifeson was a highly personal rock Rorschach test for the gestalt guitarist, primal scream therapy with a beat. Alex Lifeson lies down on the couch here In the Studio on the album’s twenty-fifth anniversary..
Neil Young with Crazy Horse-San Francisco 1986, to mark the fiftieth anniversary of the original release on “After the Goldrush” in Fall 1970.