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On the eve of their first North American concert tour in decades, Genesis triumvirate Mike Rutherford, Tony Banks, and Phil Collins reconvened here In the Studio to reprise the world premiere broadcast which I hosted and produced with them in November 1991 for “We Can’t Dance” .
In the period 1970-89 covered by this classic rock interview for his Best pt 2 with Rock and Roll Hall of Fame inductee Todd Rundgren, he made twenty-two albums in seventeen years either as a solo artist or the leader of the multi-threat Utopia. “Prolific” seems woefully inadequate to begin to describe that enormous creative output. “Most of these albums are a result of some kind of musical adventure,” Todd explains.” It’s a privilege that a lot of people don’t enjoy.”
…In part one of this classic rock interview I make the case that no one waiting in the wings of the Rock Hall has done more for rock music over the last half century, in more ways, than Todd Rundgren.
For two days, the quicksilver singer/songwriter/guitarist/producer Lindsey Buckingham and I sat in a small windowless room serving as his confessional, his therapeutic safe space, and we did not leave until Lindsey told me his truth about playing the role of Vincent in the real-life Van Gogh soap opera that has been his life and musical career for nearly fifty years.
the timeless Van Morrison warm musical blanket, “Tupelo Honey” . This ultra-rare, fascinating interview with the reclusive “Howard Hughes of Rhythm ‘n’ Blues” is nothing short of a revelation…
“Third Stage” Boston comeback album released in September 1986 put up spectacular numbers in popularity, with three Top 20 hits on Billboard including “Cant’cha Say”,”We’re Ready”, and the #1 “Amanda”, all helping to blast the album to #1 sales. Boston bandleader Tom Scholz, my guest, also brought free-agency to the music business.
So when their sophomore effort “Get Lucky” came out in Fall 1981, these Canadian rockers Loverboy were the right band at the right time. North American rock radio was waiting in anticipation for”Working for the Weekend”, along with “When It’s Over”, “Jump” co-written by fellow countryman Bryan Adams, “Gangs in the Street”, and “Take Me to the Top”. Lead singer Mike Reno and guitarist Paul Dean recall how nice guys don’t finish last in this In The Studio classic rock interview.
Ten years prior to the release of “No More Tears” in September 1991, Ozzy Osbourne couldn’t get arrested outside England. Particularly in America, the former singer for heavy metal godfathers Black Sabbath was perceived by US record label execs as damaged goods…Then for the whole of the Eighties, Ozzy was constantly in the press, but rarely was it for his music. Ozzy admits here In the Studio that “No More Tears” was the first album he ever recorded sober, and the results were spectacular.
August 26, 1991 I had the great honor and pleasure of co-hosting the world premiere radio broadcast with Bob Seger of “The Fire Inside”. His fourteenth (!) studio album, it came a long five years after Seger and the Silver Bullet Band’s “Like a Rock”, the Detroit rocker’s fifth multi-million seller in a row.
In the Summer of 1975, a year before releasing what quickly became the biggest selling debut album in music history, the band Boston did not even exist . A year later Tom Scholz’s seven year basement tapes would emerge out of nowhere to re-write the record books on popularity and profits …(more) Tom Scholz is my guest for Boston’s 45th anniversary.