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Pink Floyd-The Wall pt1-Roger Waters,David Gilmour,Nick Mason

Roger Waters admitted to me that in 1980 Pink Floyd had been guaranteed one million dollars per night to perform The Wall on a stadium tour. "And I refused to do it outdoors," Waters tells me in this classic rock interview. "But how can you do a show, that's about the alienation you feel about doing stadium shows, in a stadium?"
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Supertramp- Crime of the Century- Roger Hodgson

With  the stunning 1974 release  Crime of the Century , London's Supertramp suddenly exhibited a consistency of band sound eschewing the ubiquitous electric guitar and the obligatory synthesizer of most progressive rock bands in favor of grand…

King Crimson- In the Court...Crimson King- the late Greg Lake, Jon Anderson, Mike Rutherford

It is the Plymouth Rock of progressive rock, and almost a half century  after King Crimson  released what Bruce Eder on AllMusic.com maintains is "one of the most daring debut albums ever recorded by anybody...",  In the Court of the  Crimson…
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Supertramp- Breakfast in America- Roger Hodgson

On the eve of Supertramp's international blockbuster Breakfast in America , none of us outside the Brit ex-pat band's tight inner circle living in suburban Los Angeles had any reason to see it coming. Sure, their U.S. label patiently had given…

Pink Floyd-The Division Bell- David Gilmour, Nick Mason, Rick Wright

 Listening to this interview, one of the last ever with the late gentle and fragile original Pink Floyd keyboard player Richard Wright, you would have no indication of the circumstances under which we had this conversation. In mid-March 1994…

YES-Talk- Jon Anderson, Trevor Rabin March 1994

Before their 1994 album Talk   was even released, YES co-founder/ singer Jon Anderson and band sparkplug Trevor Rabin came to my Q102 afternoon radio show in Dallas/ Ft.Worth to hand-deliver  and talk about it. The album underwent a two-year…

YES- 90125- Jon Anderson, Trevor Rabin, Alan White, Tony Kaye

After experiencing YES  performing in the round on a revolving stage in Fall 1978 in Memphis, I distinctly recall thinking that this was the best way to see any band larger than a quartet. At the time YES  consisted of musicians with exceptional…