“I’m pleased that it’s now getting better regarded with hindsight,” Peter Gabriel admits about his Autumn 1992 sixth studio album, Us . “I think it had some of my best songs on it.” No argument here: Us subjects, like the deep funky grooves, are all killer and no filler, from the pleading divorced parent to his regressing […]
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Continuing my in-depth classic rock interview with Peter Gabriel in Autumn 1992 on the occasion of the release of his sixth studio album, “Us”pt 2. This is the conclusion of the career-spanning conversation. -Redbeard
(cont)…It was not until stumbling into the broadcast media/entertainment business that I got to witness,up close and personally,individual musicians who have been given enormous powers of influence ,through the modern phenomenon of celebrity,by the very people who they entertain. Case in point is this week’s classic rock interview : 25 years ago,ex-Genesis lead singer Peter Gabriel had a cult following after four studio solo albums, with his most significant creation being the ground-breaking “Shock the Monkey” video. But with the May 1986 release of So (#1 UK,#2 U.S.,over 5 million sold;4 Grammy nominations including Album and Record of the Year for the #1 hit “Sledgehammer”), Peter Gabriel was vaulted into international pop stardom with all of its attendant door-opening , barrier-eliminating amenities…(more)
Until this point, Phil Collins was best known as the drummer who surprised everyone by more than capably replacing band mate Peter Gabriel as the lead singer for Genesis.
We were not even ninety days into the new Eighties decade when Genesis, now a trio with Phil Collins, Mike Rutherford, and Tony Banks, released “Duke”. Though already the veteran progressive rockers’ tenth (!) studio album, it contained their first Top 15 US hits, “Misunderstanding” and “Turn It On Again”.
Genesis “ The Lamb Lies Down on Broadway” interviews with Mike Rutherford, Tony Banks, Phil Collins
To illustrate how seriously many of the post-British Invasion bands were approaching the rock idiom by early 1973, you need look no further than Pink Floyd’s “Dark Side of the Moon” to see how this progressive rock movement had matured, with spectacular results both artistically and commercially, confirmed in this classic rock interview by my guests, musical lunar explorers David Gilmour, Roger Waters, and Nick Mason.
It happened to Elton John, Rod Stewart, Billy Joel, Bruce Springsteen, Bryan Adams, Sting, and most recently U2: US radio and music video outlets overplaying the hits by these most popular musicians, in the programmers’ misguided attempts at gaining a bigger audience. But the unfortunate by-product is that these listeners/viewers burn out on the saturation repetition to the peril of the musicians, and the predictable backlash unfortunately is misdirected at the musicians, who had no control over how their songs were appropriated. No one on the planet knows this better now than my guest Phil Collins.
While it took YES barely 18 months to write and record “The Yes Album”, “Fragile”
, and “Close to the Edge”, it took almost thirty years for the Rock and Roll Hall of Fame’s version of the Warren Commission to deny any conspiracy to bar Yes from induction. But it wasn’t soon enough for YES co-founder Chris Squire, who died prior to the Rock Hall relenting in 2017 .
With Peter Gabriel‘s superb So album marking an anniversary, it brings to mind this bold cover version of one of Gabriel’s most-loved songs. Clearly, young Jeffrey Gaines was already reinterpreting “In Your Eyes” and mesmerizing audiences with it as early as Fall 1992, which this live acoustic performance on my Dallas/ Ft.Worth radio show reveals, but […]