Let me clue you in to a little-known showbiz PR secret to which no one in Hollywood or network TV will ever admit: when you suddenly see big movie stars who rarely grant interviews suddenly showing up on every early morning and late night talk show ( such as the recent blitz of Emily Blunt and Lin-Manuel Miranda, two admittedly delightful multi-talented actors, seemingly everywhere ahead of the opening of Disney’s Mary Poppins Returns ), it means that, from private pre-release test screenings, the movie studio believes it has a stinker on its hands and that it needs to have a huge opening weekend of public release before word gets out.
Back when the Doobie Brothers‘ Minute by Minute album was released in December 1978, I wasn’t aware of that Hollywood maxim, but the band’s Warner Bros. record label certainly was. No doubt that is why they dispatched Doobie Brothers singer/ songwriter/ keyboardist Michael McDonald to visit radio stations just days before Christmas 1978 and hand deliver the band’s new album. I was filling in the afternoon show on ROCK 103 Memphis while the boss went on vacation at a slow time when all of the big touring bands and major record companies had shut down for the holidays, so imagine my bewilderment when Michael McDonald of the Doobie Brothers shows up unannounced and asks if I’d like to play something off their new album?! I had been a big fan of McDonald’s smoky blue-eyed soul voice steeped in the tradition of Ray Charles ever since Michael had done his turn on Steely Dan‘s Pretzel Logic and then rescued the Doobies when their main songwriter Tom Johnston took ill right before Takin’ It to the Streets , so we bonded easily that holiday afternoon.
Considerable assumptions, half truths, and flat out fantasies remain in the conventional wisdom surrounding the making of Minute by Minute by the Doobie Brothers, one of the Seventies’ most popular albums, so much so that for the story of that #1-selling, four Grammy Award-grabbing Album of the Year 1978, we gathered four Doobie Brothers who were actually there In the Studio when it was made: founders Pat Simmons, Tom Johnston, John Hartman of the San Jose CA band with singer/ songwriter/ keyboard player Michael McDonald. Sure, everybody knows that then-unknown singer/songwriter McDonald had replaced popular Doobie co-founder Johnston just days before recording started on their 1976 album Takin’ It to the Streets . But why? And everybody remembers that it worked, selling Top 10, but who remembers that the follow-up Livin’ on the Fault Line with the same line up and producer was the first Doobie Brothers album since Toulouse Street not to go platinum?
In spite of containing the songs” Here to Love You”,”Minute by Minute”,”Open Your Eyes”,”Dependin’ on You”,”Don’t Stop to Watch the Wheels”, and the Grammy Song of the Year and Record of the Year “ What a Fool Believes”, at least one top executive at their record company predicted that Minute by Minute “…would be the final nail in their coffin”, quotes Michael McDonald with a chuckle.
Here In the Studio get the record straight about 1978’s Grammy Album of the Year, the biggest seller in the long illustrious ( but still Hall of Fame denied) career of one of America’s most beloved bands. –Redbeard
( L-R John McFee, Tom Johnston, Pat Simmons of the Doobie Brothers 2018 )