On the fiftieth anniversary of the the first Emerson, Lake, and Palmer album, allow me to share a personal memoir. In Summer 1971 there was a college bar not far from the local campus on the main street of Findlay, Ohio where the “townies” congregated, just a safe haven for the newly-legal-age hippies to get a cold beer without fear of being hassled by rednecks. There was no room or money in the narrow bar for live music, just a jukebox. Up until then every jukebox I had encountered was stocked with the Top 40 hits of the day, but this one was special. Someone had loaded up this baby with cutting-edge progressive rock that we couldn’t find on the radio dial, such as Crosby, Stills, Nash, & Young‘s “Ohio” backed with“Find the Cost of Freedom” barely a year after the shocking killing of four fellow students at nearby Kent State University. But when somebody slipped a quarter in and punched up a new band called Emerson, Lake, and Palmer and their “Knife Edge” and“Lucky Man” two-sided single, that ‘box would rock!I borrowed the debut album from a buddy, and was fascinated by the epic “Take a Pebble” featuring Greg Lake‘s choirboy voice, Carl Palmer‘s fantastic drum technique, and Keith Emerson‘s impressive ability on a variety of keyboards including the new electronic invention, the Moog synthesizer. ELP were not so much about willfully breaking the unspoken rules of rock’n’roll as they were about boldly expanding the boundaries of it.
Listening now to the title song to the Tarkus second album which followed quickly in 1971, with Lake’s voice delicately yet nimbly bounding along to Emerson’s piano runs, it’s clear that Emerson Lake & Palmer were much less “Be Bop a Lula” in their melodic grandeur and much more “Andrew Lloyd Weber“. Here is the story in their own words of progressive rock’s first supergroup from ( left to right ) Greg ( who died in December 2016 ), Keith (also gone, at age 71), and Carl In the Studio. –Redbeard