It was their third album,”Shabooh Shoobah”, where INXS finally made the leap to America and the UK late in 1982 with “The One Thing”and “Don’t Change”. For the story of INXS’ formative years, the band’s keyboard player/ songwriter Andrew Farriss, guitar-playing brother Tim Farriss, and guitar/sax man Kirk Pengilly, tell of the tough and tender early days forming in the most remote city in the world, Perth Australia; surviving the one-nighters there, in Sydney and in Melbourne; allying with a talented singer from Hong Kong-via-Hollywood, the mercurial snake-hipped Michael Hutchence;
If you are not happy with the results below please do another search
91 search results for: YES
With Belfast-born Van Morrison’s July 1972 sixth album “Saint Dominic’s Preview”, the mainstream rock audience finally caught up to the quality jazzy, folksy rhythm’n’blues Morrison had been belting out consistently since critics began lauding his debut,”Astral Weeks”. This rare 21st century classic rock interview was conducted in Belfast by the BBC’s intrepid John Bennett.
In an alternate universe where being boring and predictable is the Original Sin, Vince Neil, Mick Mars, Nikki Sixx, and Tommy Lee of Motley Crue would be sanctified saints, because they have been waging jihad against the tyranny of the mainstream for a full four decades. Peaking at #2 on Billboard Album Sales chart, “Girls, Girls, Girls” would eventually equal their preceding mega-seller “Theatre of Pain” with another four million copies sold. The always eyebrow-raising Nikki Sixx and hilarious Vince Neil are my guests In the Studio for “Girls, Girls, Girls”..
When it came exploding out of the dashboard radio in May 1972, “School’s Out” by Alice Cooper was louder, brasher, with more swagger than anything we’d ever heard on the Top 40. But with the Woodstock Generation inheriting a world of endless Viet Nam War escalation, Richard Nixon landslide re-election, while astronauts golfed on the moon, “School’s Out” ominously was a sobering reality check for millions as well. Alice Cooper is my guest In the Studio on the golden anniversary.
This one haunts me. Believe me, I am far from being alone in the admiration and appreciation of the obvious musical talent of singer/songwriter Kevin Gilbert, first demonstrated in Summer 1990 with the collaboration with pop producer Patrick Leonard as Toy Matinee. Gilbert had been a mainstay in the late ’80s singer/songwriter L.A. brat pack […]
When artist manager-turned-media mogul David Geffen started his first Los Angeles-based record label Asylum Records, his first signing was Jackson Browne and his third deal was with the Eagles. Who was Geffen’s second signing? Hometown heroes Jo Jo Gunne. marking the golden anniversary of that first ( and in songwriting, their best ) 1972 album Jo Jo Gunne, singer/songwrite/pianist Jay Ferguson reveals all kinds of influences when he told me, “If Sly and the Family Stone and Little Feat had a love child, it would have been Jo Jo Gunne!” Here In the Studio Jay tells the innocent tale of “Run Run Run”,”Shake That Fat”,”Babylon”,” 99 Days”,”Barstow Blue Eyes”, and”Take It Easy”.
Asia was the 1980s’ first “supergroup”, including Emerson Lake and Palmer drummer Carl Palmer, former King Crimson/ Roxy Music / UK singer/ bass player the late John Wetton, Buggles vid-kid Geoff Downes on keyboards, and YES guitarist Steve Howe. Their March 1982 debut hit #1 in America on both the album sales chart and the singles for “Heat of the Moment”. Asia debut #1 album of 1982 here In the Studio with Carl Palmer,Geoff Downes, the late John Wetton.
This interview with Jackson Browne features highlights”Doctor My Eyes”,”Jamaica Say You Will”, and “Rock Me on the Water” from his January 1972 debut; “Late for the Sky” ‘s title song as well as “Fountain of Sorrow” from 1974; his commercial breakthrough and multi-million seller “The Pretender” in November 1976 with “Here Come Those Tears Again” and the timeless title song; and a 2010 live acoustic version of the 1977 Jackson Browne mega-hit “Running on Empty”.
The History of Southern Rock pt one interviews with the late Gregg Allman, Gary Rossington, Henry Paul, Doug Gray of the Marshall Tucker Band, the late Hughie Thomasson, the late Charlie Daniels, many more. Part 1 of 2.
In January 1967 when John Densmore’s snare drum cracked like a rifle shot before Ray Manzarek’s nimble fingers made their intricate run of baroque-sounding notes on that reedy Farfisa organ, all on the introduction to jazz/flamenco guitarist Robbie Krieger’s composition “Light My Fire”, it clearly and boldly announced a unique approach to rock and roll that really has no peer. And all of that before Jim Morrison stepped up to the microphone to introduce one of the greatest voices and hedonistic personalities in rock history. Not unlike Creedence Clearwater Revival from the same period, no other American bands put out more albums in less time which were more influential in the last 50+ years. And like CCR, no one ever sounded like The Doors ever since. Here is Doors co-founder the late Ray Manzarek with me In the Studio to mark The Doors anniversary. -Redbeard