In The Studio with Redbeard

Tag: best selling albums of Eighties

  • Van Halen- 1984- Eddie Van Halen, Alex Van Halen, Michael Anthony

    Van Halen- 1984- Eddie Van Halen, Alex Van Halen, Michael Anthony

    To this day I remember waking up on New Years Day 1984, flipping on the TV to watch the Rose Bowl football game from Pasadena CA, and whenever the network took a break, they were already playing a brand new Van Halen song, “Jump”, from a new album 1984. That’s how  mainstream Van Halen had become.

    To truly comprehend just how massively popular this album was, it helps if you actually write it out numerically: more than 12,000,000 copies of Van Halen’s sixth album, 1984, were sold in the U.S. alone in the four decades since it was released. Propelled by Van Halen’s very first #1 hit “Jump”, three million of those were sold in America in the first ninety days! Already America’s most popular hard rock band prior to its release, 1984   propelled the Pasadena quartet of innovative guitar whiz Eddie Van Halen, drummer brother Alex, bass player and unmistakable harmony singer Michael Anthony, and showman extraordinaire David Lee Roth into the stratosphere of rock’s elite with additional songs “Panama”, “I’ll Wait”, “Drop Dead Legs”,” Top Jimmy”, and the video which made even MTV blush, “Hot for Teacher”.ut as any high-flying throttle jockey can attest, the view from the top is exhilarating, but the dizzying height is disorienting and there’s no air up there to breathe. Like water on pavement, celebrity seeks out every crack and crevice in a relationship, and when relations turn from chilly to frosty, the cracks can quickly expand into chasms. The 1984  album and subsequent sold-out tour closed that chapter on the original band, with the Van Halen story becoming a never-ending soap opera that was constantly controversial.
    While the facts contained in this interview remain true and accurate over time, the opinions expressed here by Eddie, Alex, and Michael clearly are a snapshot of just one of the many seasons in this saga, at a time before David Lee Roth was invited back into Van Halen, as well as before Michael Anthony was dismissed and Eddie Van Halen would perish from throat cancer.- Redbeard

  • ZZ TOP- Eliminator- Billy Gibbons, Frank Beard, the late Dusty Hill

    ZZ TOP- Eliminator- Billy Gibbons, Frank Beard, the late Dusty Hill

    Prior to the March 1983 release of ZZ Top’s Eliminator, it’s not like the Texas trio had been struggling or anything. Billy Gibbons, Dusty Hill, and Frank Beard had  been releasing albums and touring for over a decade, and Gibbons had been elevated among the rock world’s most prestigious guitar players as a wholly original and immediately identifiable Tone Monster. But Eliminator, with its four Top Twenty hits, modern ear candy updated production, and campy, quirky videos blanketing the new 24-hour video channel MTV then, was a flat-out international phenomenon.

    Up to ZZ Top’s March 1983 release Eliminator, one of my secret weapons at making ROCK 103 the top-rated radio station in Memphis from 1980 through 1983 was the friendship that developed with the late legendary studio owner John Fry and his  wonderfully talented staff at the world-renowned Ardent Studios nearby. As it turned out, one of my personal favorite bands, Houston-based ZZ Top, had discovered the high caliber, low key facility as early as their 1973 breakthrough album Tres Hombres,  and in typical Bill Ham style ( the band’s colorful longtime manager and producer who passed away in 2016), “if it ain’t broke, don’t fix it”. So ZZ Top proceeded to make every subsequent album there with ace Ardent recording engineer Terry Manning, with titles en Espanol including Fandango,  Tejas,  DeGuello, and El Loco.

    By February 1983, ROCK 103’s owner decided to reinvest some of the record revenues back into the facility with a major control room studio update, complete with new broadcast console, electronics, and JBL monitors. When I mentioned this fact to ZZ Top’s veteran recording engineer Terry Manning, he replied,”Before you go ‘live’ to broadcast with your new studio, would you allow me to play the master mix of the unreleased ZZ Top album in there?” I could not believe my good fortune! Terry arrived with two large metal reels of tape, loaded them onto the pristine new Studer reel machines, and pushed the “play” button. What happened next absolutely blew me away: “Gimme All Your Lovin’ “, followed in rapid succession by “Got Me Under Pressure” and “Sharp Dressed Man” played at about rock concert sound level, left me in sensory boogie overload. It was just too good to absorb the sonic banquet that ZZ Top was serving up. And just when I begged “Have mercy!” to break from the intensity of Billy Gibbons’ feedback-soaked “squanking” guitar, the late Dusty Hill’s propulsive bottom end, and Frank Beard’s in-the-pocket drumming, the song sequence shifted to the cascading midnight blues of “Need You Tonight”; the Dusty raunchy rave up “I Got the Six”, the international hit “Legs”, and the grinding smoldering groove of “TV Dinners”. In just a few weeks the rest of the world would soon discover what I had experienced that day, responding by purchasing over 15,000,000 copies of Eliminator  worldwide. And yes, the series of clever, campy videos on the upstart MTV video channel in America undoubtedly had much to do with that staggering level of popularity (truly ironic, since manager Ham had steadfastly kept ZZ Top off of U.S. television until then). But the songwriting, musicianship, modern arranging, and state-of-the-art recording on Eliminator  which I first heard March 1983 was truly extraordinary.  
    (Backstage in Grand Prairie TX November 2007 front row L-R Billy Gibbons, Redbeard, Frank Beard, the late Dusty Hill )

    ZZ Top’s Billy Gibbons and Frank Beard are my guests here In the Studio  to document “Gimme All Your Lovin’ “,”Got Me Under Pressure”,”Sharp Dressed Man”,”Legs”, “TV Dinners”, the smoldering blues “I Need You Tonight”, and of course I will share my archival interview with the late rave-up singing bass player, Dusty Hill, in tribute. -Redbeard