Tag: Bruce Fairbairn

  • Scorpions- Crazy World 35th Anniversary- Klaus Meine, Rudolph Schenker

    Scorpions- Crazy World 35th Anniversary- Klaus Meine, Rudolph Schenker

    Sitting with my guests singer/songwriter Klaus Meine and Rudolph Schenker, Scorpions co-founding guitarist/songwriter,  it was fascinating to be reminded by members of Germany’s  beloved band just how much rock music indeed  had changed this Crazy World by the time of that album’s late 1990 release. And the Scorpions should know better than anyone: they were there, living it every day in just the six short years after the  March 1984 release of Love at First Sting leading up to Crazy World. “We were not proud of our country, and our parents were not proud of our country,” says Scorpions lead singer Klaus Meine. “They had just survived the (Second World) War. So rock music is the way we got out. And starting as young musicians playing English and American music, it was in a way something like an attempt to be part of the world community, to escape a place where you feel this burden.”

    The Scorpions from Hanover Germany had been the decade-long international long shot when their 1982 album Blackout  blew up Top 10 in the US, powered by the #1 Rock radio track “No One Like You”. The Scorpions’ follow-up album Love At First Sting  two years later soared to # 6 on the Billboard album chart with triple platinum sales, while delivering a blitzkreig of rock anthems including “Rock You Like A Hurricane”, “Big City Nights”, and the signature power ballad “Still Loving You”.

    Back in 2020 when I heard that Spotify was introducing podcasts by co-producing one based on the premise that the CIA wrote the Scorpions 1991 international hit “Wind of Change”, I literally giggled out loud. “What a hoot!” I thought. “They’ll have to get the song’s composer, Scorpions lead singer Klaus Meine, to tell The New Yorker reporter Patrick Raddan Keefe the same story Klaus told me over twenty years ago, about being invited to meet and dine with Soviet Premiere Mikhail Gorbachev in Summer 1990 when Scorpions played the Moscow Music and Peace Festival, which inspired Meine to write “Wind of Change” for the next Scorpions album, Crazy World.” But when I realized that podcast host Keefe was taking this CIA conspiracy premise seriously by expanding it to a series of eight episodes, and talking to everybody except  Meine or the Scorpions, my bemusement quickly turned to annoyance.

    “Sometimes I felt like a tinfoil hat-wearing conspiracy theorist,” (quote) Keefe told Rolling Stone magazine. Well, as the late poet/activist Maya Angelou once said, “When people tell you who they are, BELIEVE THEM.”Rudolph Schenker (L) with Klaus Meine

    But the real story is how the Scorpions overcame potentially insurmountable barriers of distance, language, lack of management, lead singer Klaus Meine’s desperate throat surgery, the notorious East German Stasi secret police, and the Berlin Wall to be key players with Soviet Premiere Mikhail Gorbachev’s dismantling of Communism in the Soviet Eastern Bloc. Lead singer/ songwriter Klaus Meine and guitarist/songwriter Rudolph Schenker share how rock’n’roll helped the Scorpions escape the uber guilt of Germany’s Nazi past and build a future.”We played Leningrad and the Moscow Music Peace Festival in 1988 and 1989, one hundred thousand Russians for each of two days in Lenin Stadium…When we were growing up in Germany, the Russians were the ‘bad guys’. But in 1989 there was such a feeling of hope…We told the Russians, ‘Our parents came with tanks. We come with guitars.” So were people from outside the Scorpions brought in to work on 1990’s Crazy World ? Absolutely, but the last I checked, veteran song doctor Jim Vallance and producer Keith Olsen were never with the CIA. The song “Wind of Change”, which went to #1 in Germany, Sweden, Austria, Switzerland, France, Norway, Holland, #2 in the UK and Belgium, and #4 US, was captured perfectly in the zeitgeist of the time by Scorpions lead singer Klaus Meine.

    The Moscow hotel near Gorky Park where the Scorpions stayed while playing the1989 Moscow Music Peace Festival, met with Soviet Premiere Mikhail Gorbachev, and inspired Klaus Meine to write “Wind of Change” was named, ironically, The Ukrainer. Something tells me that since current Russian President Vladimir Putin’s invasion, that hotel no longer has that name. –Redbeard

  • Loverboy 45th Anniversary- Mike Reno, Paul Dean

    Loverboy 45th Anniversary- Mike Reno, Paul Dean

    In 1980, the Canadian rockers Loverboy went from the throwaway pile outside my office door to the #13-selling album on Billboard Album Chart, no thanks to one of the all-time worst album covers ever. Reportedly a self-portrait Polaroid of the graphic artist hired to lay out the album cover, it could be the least representative of the straight ahead rock music inside since John Hiatt‘s debut, where he looked like a cadaver.

    Simply titled Loverboy, their American debut  in October 1980 suffered from an almost fatal album cover and virtually no promotion, but working late one night in  my ROCK 103 Memphis office, I found that first Loverboy  album in a throwaway pile and stumbled onto “Turn Me Loose” and “The Kid is Hot Tonight”, easy one-listen obvious hits. So when their sophomore effort Get Lucky came out in Fall 1981, these Canadian rockers were the right band at the right time.

    The first time we saw them around Thanksgiving  ’81 live at the Memphis Orpheum Theater opening for Point Blank, Loverboy started their tightly rehearsed set with a great song about “…everybody’s workin’ for the weekend…”. But this great song which they had just performed had not appeared on that first release. Bewildered, I rushed backstage immediately after their set to inquire,”What was that great song you opened with?” And who then could have possibly imagined that, over thirty years and 4,000,000 copies later, “Working for the Weekend” would be the soundtrack to the popular Radio Shack Super Bowl tv ads a few years back, seen and heard by over 100 million? North American rock radio was waiting in anticipation for it, along with “When It’s Over”, “Jump” co-written by fellow countryman Bryan Adams, “Gangs in the Street”, and “Take Me to the Top”. Get Lucky by Loverboy also was highly significant for its produced sound, which had a huge presence that really cut through on the radio, and it wasn’t long before the bands who would define Eighties rock including Bon Jovi, Aerosmith, and Metallica were all making the pilgrimmage to Vancouver’s Little Mountain Studio to work with Loverboy’s studio brain trust, producer the late Bruce Fairbairn and engineer Bob Rock, who themselves had been musicians in Prism and The Payolas, respectively. Lead singer Mike Reno and guitarist Paul Dean recall how nice guys don’t necessarily finish last in this  In The Studio  classic rock interview.   –Redbeard

  • Aerosmith- Get a Grip- Steven Tyler, Joe Perry,Tom Hamilton, Brad Whitford, Joey Kramer

    Aerosmith- Get a Grip- Steven Tyler, Joe Perry,Tom Hamilton, Brad Whitford, Joey Kramer

    “Livin’ on the Edge”, “Cryin’”,”Eat the Rich”, “Fever”,”Line Up”,”Amazing” …any wonder that Get a Grip is Aerosmith’s biggest-selling album worldwide at over twenty…that’s twenty… million copies? The entire band sat down with me In the Studio to milk all the details behind Get a Grip  in a revealing classic rock interview with Aerosmith, an American treasure.

    Even after the 1989 record-setting success of Aerosmith Pump barely four years earlier, the song sources from which to choose for Get a Grip  were so plentiful and so strong for Aerosmith that even the 75 minute capacity of the compact disc could not hold them all. “Deuces Are Wild” ended up on The Beavis and Butthead Experience  soundtrack, while my personal favorite, “Head First”, has the highly significant distinction of being the first song by a major band to be distributed over the internet. “Head First” by Aerosmith was the first major band internet music download on June 27, 1994 to about ten thousand CompuServe subscribers, including Q102 Dallas/Ft. Worth, where it took us almost 24 hours to download less than four minutes of WAV file music back then! –Redbeard

  • Aerosmith- Permanent Vacation- Steven Tyler, Joe Perry, Tom Hamilton

    Aerosmith- Permanent Vacation- Steven Tyler, Joe Perry, Tom Hamilton

    You think you know the story behind Aerosmith and their fabled  resurrection  with the superb Permanent Vacation in 1987, due in great part to several things: 1) the zealous publicity from then-new manager Tim Collins, utilizing the  clout of music mogul David Geffen’s record label; plus 2) the prime years of MTV. But the stakes for this phoenix-like comeback  could not have been higher, or the outcome more uncertain.

    You see, in 1985 when the label released Done With Mirrors, the  first post-rehab Aerosmith album with the original members, the Boston quintet had only a glorious past with those first four  Aerosmith albums in the Seventies as a legacy. Then two forgettable studio efforts plus a dud live album treaded water before both guitarists, Joe Perry (who co-wrote most of the songs with Steven Tyler) and Brad Whitford, each bailed out of the band for separate projects. So much was made of Aerosmith’s deterioration by drugs (lead singer Steven Tyler can be heard forgetting the lyrics to a third of the songs on the VHS video Aerosmith Live Texxas Jam ’78 ) that most fans completely miss the fact that copious cocaine and heroin abuse simply magnified the stark personality differences between the two songwriters, Tyler and Perry, as well as the lone lucid man in the middle, bass player Tom Hamilton.  Tyler sober, supremely talented, relentlessly intense, mercurial, restless, and bold, with seemingly no filter between thought and expression,  easily can be the most difficult child of God to ever grace a stage or recording studio, and after the supposed “comeback” Done With Mirrors came and went with a whimper, Aerosmith’s future was anything but secure. Tyler, Perry, and Hamilton join me In the Studio in this classic rock interview for the back story on “Magic Touch”,”Dude Looks Like a Lady”,”Rag Doll”, “Hangman Jury”, and the #3 power ballad “Angel” which erased all doubts…to the tune of over 5,000,000 sold. – Redbeard

  • Bon Jovi- Slippery When Wet- Jon Bon Jovi, Richie Sambora

    Bon Jovi- Slippery When Wet- Jon Bon Jovi, Richie Sambora

    One of my guests, original Bon Jovi lead guitarist/ co-writer Richie Sambora, dropped a bombshell while looking back to the first two albums which preceded Slippery When Wet, indicating how close the phenomenal August 1986 release came to never being made. “Quite frankly, “Quite frankly, I didn’t enjoy either of those first two (Bon Jovi , 7800 Degrees F) records personally,” Sambora admits.”I wasn’t even sure that the band was going to survive. To me, I don’t think we reached the soul of it, probably not until Slippery When Wet .”  To attempt to get your head around the phenomenon of Bon Jovi’s third album  Slippery When Wet    three decades ago, it helps to write out the worldwide sales estimate since then : 28,000,000  copies. No hyperbole here, it is impossible to overstate how massively popular Bon Jovi’s Slippery When Wet  became quickly after release in Summer 1986, or how influential its sound and success were for the rest of Eighties Rock. But what does that do to the lives of the individuals involved? Find out from namesake Jon Bon Jovi and original guitarist/ co-writer Richie Sambora in this classic rock interview, framed by unforgettable songs “You Give Love a Bad Name”,” Living on a Prayer”, and “Wanted Dead or Alive”, here In the Studio. -Redbeard