If you are not happy with the results below please do another search
After a totally forgettable first album, the Doobie Brothers’ sophomore effort “Toulouse Street” may just be the strongest second act of the Seventies. In the Studio Tom Johnston, Pat Simmons, & John Hartman joined me forf “Listen to the Music”,”Rockin’ Down the Highway”,”Disciple”, and the definitive cover of “Jesus is Just All Right”.
Preparing this interview with Black Crowes co-founders singer Chris Robinson and his younger guitar-playing brother Rich Robinson to mark their second release, “The Southern Harmony and Musical Companion”, the deja vu was uncanny and not a little bit unsettling. Constantly I had to remind myself that the trends these Atlanta natives were seeing in the mid-1990s, and the predictions they made then, sound eerily like today’s headlines. Peering now into their spyglass in reverse, it is both remarkable in its accuracy but, I must admit, troubling in its sense of creeping inevitability.
Aimee Mann, almost unplugged, performs “Put Me on Top” from her solo debut “Whatever” atop (literally) Ft.Worth club Caravan of Dreams overlooking Sundance Square in April 1992 .-Redbeard
Jethro Tull’s March 1972 epic “Thick As a Brick” is the only album in music history to attain #1 sales on Billboard containing only one song…Ian Anderson joins me In the Studio with Jethro Tull’s “Thick As a Brick” for one of the greatest progressive albums ever!
Original Foreigner lead singer Lou Gramm (c), Foreigner founder/guitarist Mick Jones (l), and former bassist Bruce Turgon (r) having fun with that “Dirty White Boy” Redbeard while In the Studio on Q102 Dallas/Ft.Worth in February 1995. Both Mick Jones and Lou Gramm will be co-hosting the 45th anniversary of Foreigner’s blockbuster debut here In the […]
The story behind this free concert performance by Van Halen of “Poundcake” in the streets of downtown Dallas in early December 1991 gets filed under Urban Legends that are actually true. That’s me introducing Van Halen from the stage. -Redbeard
On the eve of their first North American concert tour in decades, Genesis triumvirate Mike Rutherford, Tony Banks, and Phil Collins reconvened here In the Studio to reprise the world premiere broadcast which I hosted and produced with them in November 1991 for “We Can’t Dance” .
the breakout album “Strong Persuader” by my guest In the Studio, Robert Cray.
Legendary wrestler-turned-Led Zeppelin manager Peter Grant had an appropriately out-sized role in the Led Zeppelin “4” story as told here In the Studio by Jimmy Page and Robert Plant on Led Zeppelin IV fifty-fifth anniversary.
By the time October 1981 ‘s fourth Police album “Ghost in the Machine” was dispatched, the exposed roots and influences shown by the London-based trio founded by Yankee drummer Stewart Copeland, who had emerged from the dying embers of the Punk Rock scene there, were more Miles and Mingus than Johnny Rotten. “Ghost in the Machine” topped the UK sales chart, #2 on Billboard album chart, over three million copies sold in America alone, and Rolling Stone magazine ranking it at #322 on their Top 500 Albums of All Time list. Police commissioner Stewart Copeland and six-string sharpshooter Andy Summers are your personal Ghost…busters with me here In the Studio in this classic rock interview.