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Ozzy Osbourne’s biggest seller in decades, October 1995’s “Ozzmosis” ironically was released after he had announced a very high profile retirement thirty years ago. “Me without a band is like I’m walking around naked or something. ” Ozzy is a funny, charming, surprisingly insightful guest with me In the Studio.
So hear about the emperor’s new clothes with the late Ozzy Osbourne on “Ozzmosis” 30th anniversary.
It seems that stardom for The Police had occurred in the UK after the release of their second album, “Reggatta de Blanc” , but mainstream popularity in the U.S. still eluded them until October 1980’s “Zenyatta Mondatta”. My guests In the Studio are Police-men Sting, Stewart Copeland, and Andy Summers for “Zenyatta Mondatta” ‘s 45th anniversary..
Warren Zevon, the gambler’s son who wrote and sang “I’ll Sleep When I’m Dead”, presumably is indeed resting in peace, having passed away far too soon in 2003…Here is my rare interview with Warren Zevon for “Excitable Boy”.as he is inducted posthumously into The Rock and Roll Hall of Fame.
It is bittersweet to share with you the World Premiere radio broadcast of INXS “X” which I was so fortunate to get to produce and host in September 1990 with guests lead singer/lyricist Michael Hutchence and keyboardist/ composer Andrew Farriss.
On the 55th anniversary of “Paranoid”, original Black Sabbath singer / lyricist the late Ozzy Osbourne has fond memories of those days when he and his mates from the working-class neighborhood Aston decided to ditch their trendy blues music, cut the band down from a 6-piece to four, and started doing what Ozzy characterizes in this classic rock interview as “spooky music”.
Fall 2019 when I made what felt like a pilgrimage to a suburban Dallas movie theater with very dear friends to see Neil Young and Crazy Horse’s film of making their album, “Colorado” , I could not resist the comparisons to “Ragged Glory” three decades earlier. Neil Young joins me In the Studio.
Selecting the fifty songs over the twenty-one studio offerings for the “50 for 50” massive undertaking proved a challenge for Ian Anderson to curate, not simply for fan expectations. If there ever was a lyrical wordsmith who learned his songwriting trade in the widescreen cinematic tradition of the album format, and who is ill-suited for the one-song You Tube world he found himself in fifty years hence, it would be Ian Anderson.
“YOU try following up ‘Dark Side of the Moon’. Go on, just try it!” playfully admonishes Pink Floyd guitarist/singer David Gilmour. “We’ve been trying to do it ever since!”, laughs drummer Nick Mason. Gilmour and Mason are my guests, Roger Waters makes a cameo, and we include archive comments from the late keyboard player Richard Wright to round out the definitive classic rock interview regarding “Wish You Were Here” on its fiftieth
anniversary.
Widely viewed along with Bob Dylan, The Byrds, and Gram Parsons as fathers of the Americana musical movement, The Band also may have been one of rock’s first alternative groups. In part one of this classic rock interview, main songwriter Robbie Robertson (“The Weight”,”The Night They Drove Ol’Dixie Down”,”Up on Cripple Creek”,”The Shape I’m In”) helps me make that case on the 55th anniversary of “Stage Fright”.
Queensryche co-founder/ composer/guitarist Chris DeGarmo and former singer/ songwriter Geoff Tate may be gone now ( the former pilots corporate jets, the latter heads the band Operation Mindcrime ), but they tell the story of the blockbuster four million-seller “Empire” and the amazing songs “Best I Can”, “Jet City Woman”,”Della Brown”,” Resistance”,”Hand on Heart”, even a live performance from London’s Hammersmith Odeon just weeks after “Empire” ’s 1990 release.