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Free “Fire and Water” 55th anniversary In the Studio with Paul Rodgers.
Two of my all-time faves remain the cinderella story beginnings of Heart in 1976 with “Dreamboat Annie” and the “comeback” album almost a decade later, “Heart”. This hit machine in 1985 reinvented Heart for the MTV Eighties with “If Looks Could Kill”,”What About Love”,”Never”,”These Dreams”, and “Nothing at All”. Wow. Nancy Wilson and singing sistuh Ann Wilson join me here In the Studio on the fortieth anniversary of “Heart” (’85).
This pending monumental golden anniversary of Fleetwood Mac “White Album” has snuck up on me. It took months before rock radio realized just how many great songs there were on here to play, including “Monday Morning”, “Rhiannon”, “Over My Head”, “Say You Love Me”, “Landslide”, and “I’m So Afraid”. My guests here In the Studio include band co-founder and drummer Mick Fleetwood,guitarist/singer/songwriter Lindsey Buckingham and singer/songwriter Stevie Nicks, to share the fairytale fifty years on of “Fleetwood Mac” the week of July 6!
“I’m probably the worst musician in the band,” admits Ray Davies of The Kinks In the Studio on the forty-fifth anniversary of The Kinks live album “One for the Road”. “They’re very good players, and this record shows them off as players as well.” Part one of my classic rock interview.
Few albums from the Eighties have been so popular or aged as well as “Brothers in Arms”, the fifth studio album from London’s Dire Straits. Released in May 1985, Brothers in Arms contained the songs of Mark Knopfler performed expertly and produced impeccably, which proved irresistible to an international buying audience estimated at over thirty million.Dire Straits bandleader Mark Knopfler tries to explain the phenomenon of “Brothers in Arms” and modern super-celebrity here In the Studio in this classic rock interview. “I recommend success to anybody. I can’t think of anything good about fame. If you can, let me know.”
The surprise success from “Black Water” afforded the Doobie Brothers some creative license on their next album, “Stampede”, released in April 1975. But as you will hear from Patrick Simmons, Tom Johnston, and the late Doobie drummer Mike Hossack, the non-stop grind of five years of one-nighters, stopping only long enough to record the next album, was starting to create stress fractures in the foundation of the band which would sideline Tom Johnston with a bleeding ulcer and, ultimately, alter the sound of the Doobie Brothers for the next decade.
Was “Who Came First” a question or a declarative statement in October 1972? Pete Townshend joins me In the Studio for the answer on the golden anniversary of his first of many great solo albums, which we feature here.
They were the changes in musical direction and key personnel made on Jethro Tull’s critical preceding third album,”Benefit”, in April 1970, which provided the oxygen in “Aqualung” ‘s tank a year later. Ian Anderson is my guest for your “Benefit”.
Bad Company had elbowed their way to the forefront of the rock world by the late March 1975 release of their second album, “Straight Shooter” ,avoiding the sophomore jinx with timeless songs “Good Lovin’ Gone Bad”,”Feel Like Makin’ Love”, and “Shooting Star”. But as my guests Paul Rodgers, Mick Ralphs, and Simon Kirke share here, strange things can happen eventually when that much success is achieved that quickly in lives so young.