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Paul McCartney retraces the Beatles #1 with Redbeard from Liverpool to the stage of the Ed Sullivan Show, writing music history with every #1 song. Also you’ll hear rare interviews with the late George Harrison.
Paul McCartney joins me In the Studio here in part two of the 50th anniversary of theBeatles’ White Album to explore the songs “Birthday”, Lennon’s “Everybody’s Got Something to Hide Except for Me and My Monkey”, Paul’s “Mother Nature’s Son”, one of three versions of “Revolution”, the campy pally band arrangement on “Honey Pie”, Lennon’s “Cry Baby Cry”, and the real inspiration behind the song which figured into the notorious Charles Manson multiple murder case,”Helter Skelter”.
The Beatles “White Album” 50th Anniversary: How can an album accomplish so much by embedding itself indelibly in popular culture, continuing to influence generations a half century after release, while on the surface revealing so little about its contents and its creators?
The Beatles #1+ sellers including “Lady Madonna”,”Hey Jude”,”Get Back”,”Something”,”Come Together”,”Let It Be”, and “The Long and Winding Road”. Paul McCartney hosts part two, and additional comments from my interviews with the late George Harrison are here, too
Kinks singer/songwriter Sir Ray Davies In the Studio discussing “Lola vs Powerman” on its 50th anniversary.
It is the fiftieth anniversary of “All Things Must Pass” from the late George Harrison, who surprised everybody by becoming the most popular maker of solo music for the first five years after the Beatles called it a career. George Harrison talks easily about “What Is Life?”,”My Sweet Lord”,”Isn’t It a Pity” from the triple LP massive ( and massively popular) All Things Must Pass;
Due to the hit sales of their 1976 second album, “I Robot” , in order to escape a 93% income tax bracket (!),for the Alan Parsons Project’s million-seller album “Turn of a Friendly Card” , released in November 1980, producer/ engineer Alan Parsons and songwriter Eric Woolfson had found themselves tax exiles from their native England, emigrating to the Mediterranean country of Monaco with its world-famous casinos.
Simple Minds broke from performing the hit “Don’t You Forget About Me” in the soundtrack rolling under the end credits of the John Hughes Brat Pack movie “The Breakfast Club” in early 1985. But that’s just the beginning of the story, and on the 35th anniversary of Simple Minds breakthrough album “Once Upon a Time” we have lead singer/ lyricist Jim Kerr here In the Studio.
If you really want to have fun with a self-proclaimed Deadhead, first have him/ her set down their phone and then ask them to name the Grateful Dead’s highest-charting Billboard album up to the band’s 1987 best-seller, “In the Dark” . You’ll get a lot “Workingman’s Dead” and “American Beauty” guesses, and after that I’d have picked “Terrapin Station”. The correct answer turns out to be the tasty mid-decade effort by the Grateful Dead, “Blues for Allah”. Bob Weir, Mickey Hart, & Phil Lesh are In the Studio.
The Band’s sublime third effort, “Stage Fright” , released in August 1970, went Top 5 and sold over a million copies. Widely viewed along with Bob Dylan, The Byrds, and Gram Parsons as fathers of the Americana musical movement, The Band also may have been one of rock’s first alternative groups. In part one of this classic rock interview, main songwriter Robbie Robertson (“The Weight”,”The Night They Drove Ol’Dixie Down”,”Up on Cripple Creek”,”The Shape I’m In”) helps me make that case.