Mott the Hoople- Mott- Ian Hunter
One of Britain’s most beloved party bands this side of The Faces, Mott the Hoople is still revered fondly there. Just ask Brian May of Queen and Joe Elliott of Def Leppard. We were so fortunate to have Mott the Hoople main man Ian Hunter join me In the Studio for a career retrospective, centered around 1972’s legendary All the Young Dudes and the July 1973 Mott.
In the early 1970s there was a very British rock scene that owed little to various styles which had immediately preceded it, such as psychedelia, protest folk/rock music, or Woodstock. Christened Glam Rock ( short for “glamorous”), it featured bands with a fondness for the three chord simplicity of rock’n’roll’s American originators, but a fashion sense that was modern, outrageous, and often androgynous, all eye shadow and sequins and feather boas and stacked high heels. And the girls got dressed up, too! 
( Ian Hunter onstage with Mott November 2013 in London, right )
The Holy Trinity of Glam rock included Ziggy-era David Bowie, T Rex’s Marc Bolan, and a loose lovable quintet named Mott the Hoople (a character from a William McManus novel ) which in its prime was fronted by singer Ian Hunter and guitarist Mick Ralphs, plus Pete Overend Watts, Verden Allen, and the late Dale “Buffin” Griffin. It is vital to understand that all of Mott’s many hits came AFTER they had broken up with four albums out but no money coming in, including “All the Young Dudes”, “Roll Away the Stone”,”All the Way from Memphis”, “The Golden Age of Rock’n’Roll”, and “Drivin’ Sister”.
( L- Mick Ralphs, Ian Hunter Nov 2013 London O2 Arena)
Even Mott’s own record label got it wrong recently when they reissued All the Young Dudes on vinyl, with a sticker stating “…’All the Young Dudes’, a song written for them by David Bowie.” My guest Ian Hunter refutes that contention, clearly explaining that Bowie intended to release his version but felt that David’s recording of “All the Young Dudes” simply wasn’t satisfactory, whereas Mott the Hoople’s version, produced by him, is ranked on Rolling Stone magazine’s 500 Greatest Albums of All Time list at #484. After Mott the Hoople broke up mid-1970s, Ian Hunter went on to a successful solo career with hits “Once Bitten, Twice Shy”, “Cleveland Rocks,” and “Just Another Night”, which he discusses here as well. – Redbeard
