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Queen’s Brian May and Roger Taylor In the Studio with Redbeard on the 30th anniversary of “Innuendo”, Freddie Mercury’s final album, which Rolling Stone magazine called “Queen’s last masterpiece.”
Peter Frampton interview In the Studio for “Frampton Comes Alive”.
The hottest New Years Eve ticket in Texas twenty-five years ago was The Toadies live at Dallas’ Bomb Factory. The Ft. Worth band’s “Rubberneck” album had just been certified gold on its way to a million in sales, and even though the Bomb Factory held thousands, the concert sold out in advance, so my radio station Q102 broadcast the Toadies live.
Between their 1968 debut album and the mid-Seventies, it was virtually impossible to turn on an American radio without hearing Los Angeles-based legendary hitmakers Three Dog Night and one of their twenty-one hit singles…Here is my April 2005 interview with dearly departed Cory Wells and Danny Hutton “In the Studio”.
“There was blood on the floor of the arena…” for the first show in history using automated lighting September 23, 1981 in Barcelona; the lamb lies down with ptomaine; improving with the VL-2 and VL-3; London West End theatre and “Miss Saigon” allows the monster to escape the rock music laboratory; the horizontal integration of […]
The surprise success from “Black Water” afforded the Doobie Brothers some creative license on their next album, “Stampede”, released in April 1975. But as you will hear from Patrick Simmons, Tom Johnston, and the late Doobie drummer Mike Hossack, the non-stop grind of five years of one-nighters, stopping only long enough to record the next album, was starting to create stress fractures in the foundation of the band which would sideline Tom Johnston with a bleeding ulcer and, ultimately, alter the sound of the Doobie Brothers for the next decade.
When observing potential song subjects for October 1985’s “Power Windows”, Rush lyricist/ drummer the late Neil Peart saw an uncanny number of socio-political issues which have become front page headlines again thirty-five years later.
Ozzy Osbourne’s biggest seller in about fifteen years, 1995’s “Ozzmosis” ironically was released after he had announced a very high profile retirement. “Me without a band is like I’m walking around naked or something. ” Ozzy is a funny, charming, surprisingly insightful guest with me In the Studio.
So hear about the emperor’s new clothes with Ozzy Osbourne on “Ozzmosis”.
In the Studio we never featured a more influential, important, essential album than Santana ‘s second effort, “Abraxas” released in October 1970. Simply stated, this is the Magna Carta of World Music. Carlos Santana and Gregg Rolie are joined by drummer Michael Shrieve In the Studio.
Paul McCartney with me In The Studio remembering John Lennon on what would have been John’s 80th birthday .
-Redbeard