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Rockford, Illinois’s Cheap Trick proved to be no joke on the live, Japan-only “At Budokan”, but the story of how the rest of the world ever got to hear it in February 1979 is a total fluke. Hear the story In the Studio from Cheap Trick’s Robin Zander and Rick Nielsen.
My second George Harrison interview that focused on his return to performing in England for the first time in over 25 years on stage at London’s Royal Albert Hall; the support of his longtime friend,Eric Clapton; and several examples of his delightful impish sense of humor.
John Waite and Jonathan Cain put on their big boy pants for a frank conversation about The Babys on the 45th anniversary of “Head First”, the album which featured their hit,”Every Time I Think of You”” in Winter 1979.
A “Ronnie Montrose Tribute” featuring classic rock interviews with the late guitarist Ronnie Montrose, plus original Montrose band singer/songwriter Sammy Hagar. That album and the sadly, final Ronnie Montrose swan song album “10×10” and veteran Styx bass player/ producer Ricky Phillips who joins us here In the Studio.
If you think the songs of composer Jim Steinman are populated by fantastic people and places right out of central casting, they ain’t got nothin’ on the real life sojourn of the 300 pound interior lineman dressed in a prom tuxedo named Marvin Lee Aday from Dallas Texas, aka Meat Loaf. Here is a rare colorful classic rock conversation with the man to a mark the thirtieth anniversary of “Bat” sequel,” Bat II: Back Into Hell”.
Jon Bon Jovi remembered to slip me a cassette of this acoustic demo of “Born to Be My Baby”, which remained unreleased for decades.
I have interviewed literally hundreds of the greatest rock musicians , but George Thorogood is the only one who told me that he was planning to be a professional comedian, not a musician. The best-selling album by bare-knuckle electric bluesrocker George Thorogood with July 1982’s Bad to the Bone. George marks the occasion here In the Studio with his unlikely journey featuring all of his biggest hits including “One Bourbon, One Scotch, and One Beer”,”Move It On Over”, Bo Diddley’s “Who Do You Love”, “I Drink Alone”, Chuck Berry’s “It Wasn’t Me”, and of course “Bad to the Bone”.
The Cars’ co-founder singer/songwriter the late Ric Ocasek goes under the hood with keyboard player Greg Hawkes for the 45th anniversary of their 1978 debut.
Melissa Etheridge:”And I got to lie still, and I stopped being a rock star. I stopped working, I stopped striving, I stopped everything. And I was completely still . And being still is the best thing you can do for yourself. I mean it. We just don’t do enough of it in our lives , and it is so important. And I just laid still, and I finally got to the point where my brain stopped chattering. It stopped waking up and wandering, and I started dreaming again. I started dreaming of what I wanted the rest of my life to look like .”
RB: “With the diagnosis of breast cancer, you still could make plans for the future even before you completed chemotherapy and radiation ?”
ME:” Oh my gosh , I want the rest of my life ! No no no, I’m not done at all, I’m just beginning . And with that new excitement, I started looking at what I had created , what I’m creating now, and what I wanted to create. I started reading like crazy , I started reading everything from cosmology to quantum physics , string theory, agnostic gospels, Buddhism, everything ! And everybody is saying the same thing , this simple thing : that we’re all here to create, to be happy, and to love. You know, give me the peace signs and all the gooey stuff, but that’s really what I started feeling.And when I started thinking ,’Oh my gosh , I want to write a new album ‘ , I had this joy behind it . I had this great desire to put my experience down and to ignite people and light ’em up and say , ‘Look , you can do this too . We don’t have to do it this way ‘. ”
RB: What attitudes and behaviors should we all look at ?
ME: Today , right now, we have a choice .We have marketed ourselves into a little bitty corner of sound bites and fast food , and we think we can sustain ourselves on this . We think we can go to McDonald’s every day , eat in our car , and be fine . We can just download that one little song that sounds just like that other song . They’re little pieces . If you want to live your life on just little pieces of life , okay , that’s your choice . But I think that there’s a large bunch of us who really want more , who really do believe that the best food comes from the earth ; that it grows up out of the dirt ; and then you eat it and it nourishes you . And that music is made channeled through an artist . They craft it , they put it down in a certain place , and you can enjoy it for three minutes , or an hour , or you can even go to a live concert and enjoy it for three hours . Imagine giving yourself that time ! But I think our society needs to take a breath and step back , and get off this wheel that we’re on of faster , faster , faster . I do .”
It was their third album,”Shabooh Shoobah”, where INXS finally made the leap to America and the UK late in 1982 with “The One Thing”and “Don’t Change”. For the story of INXS’ formative years, the band’s keyboard player/ songwriter Andrew Farriss, guitar-playing brother Tim Farriss, and guitar/sax man Kirk Pengilly, tell of the tough and tender early days forming in the most remote city in the world, Perth Australia; surviving the one-nighters there, in Sydney and in Melbourne; allying with a talented singer from Hong Kong-via-Hollywood, the mercurial snake-hipped Michael Hutchence;