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Hard-charging San Francisco juggernaut Journey unveiled a defining album for the decade with “Escape” in July 1981, containing “Don’t Stop Believin’ “,”Stone in Love”, “Who’s Crying Now”,”Open Arms”, and “Mother, Father”. For the forty-fifth anniversary of this timeless effort, the Journey songwriting triumvirate of Steve Perry, founding guitarist Neal Schon, and new recruit then Jonathan Cain all recall their daring “Escape”.
Eric Clapton’s mid-Eighties trifecta of studio albums, starting in 1985 with Behind the Sun followed by August, peaked in November 1989 with Journeyman. Thirty-five years on it has aged remarkably well, a combination of some of Clapton’s strongest song choices, superb players to support him, and a sympathetic yet discerning producer the likes of which […]
Journey co-founders Neal Schon and Gregg Rolie are joined In the Studio by singer/songwriter Steve Perry for the 45th anniversary of the triple platinum “Evolution”.
Jonathan Cain, band co-founder/guitarist Neal Schon, and former singer Steve Perry reveal considerable personal pathos during the Big Payday provided by “Separate Ways”, “Faithfully”, and two more Journey hits which were inexplicably bumped off of “Frontiers”, “Only the Young” and “Ask the Lonely”.
With their 1978 fourth album,”Infinity”, some rock writers even today attempt to reduce the remarkable transformation by the San Francisco band Journey as “talented veteran but commercially struggling group hires world-class singer, which anybody would recognize; shortens song arrangements; and instantly becomes the biggest band in America”. “Wrong,” says Journey lead guitarist/songwriter/co-founder Neal Schon .”Wrong!”
Believed by Pete Townshend to have been destroyed by his explicit orders as recently as in his 2012 autobiography Who I Am , the Tommy deluxe and super deluxe editions contain The Who performing Tommy in concert at London’s Wembley Arena in July 1969. Here is “Amazing Journey” .- Redbeard
“We did two hundred sixty-five shows that year 1975,” says Bob Seger with a mixture of pride and amazement…by October 1976 with “Night Moves” containing “Rock and Roll Never Forgets”,”Main Street”,”The Fire Down Below”,”Come to Poppa”, and the title song which Bob calls “…a little novelette.”
By the time October 1981 ‘s fourth Police album “Ghost in the Machine” was dispatched, the exposed roots and influences shown by the London-based trio founded by Yankee drummer Stewart Copeland, who had emerged from the dying embers of the Punk Rock scene there, were more Miles and Mingus than Johnny Rotten. “Ghost in the Machine” topped the UK sales chart, #2 on Billboard album chart, over three million copies sold in America alone, and Rolling Stone magazine ranking it at #322 on their Top 500 Albums of All Time list. Police commissioner Stewart Copeland and six-string sharpshooter Andy Summers are your personal Ghost…busters with me here In the Studio in my classic rock interview.
The fact that the Doobie Brothers reinvented themselves for their March 1976 album “Takin’ It to the Streets” is quite widely known, but the reasons for the musical shift, and the manner in which they made it work so successfully, is a fascinating back-story worthy of an HBO mini-series.. On the album’s 50th anniversary, Tom Johnston, Pat Simmons, & Michael McDonald are all here In the Studio to recall how it really went down.
It is the golden anniversary of Boz Scaggs “Silk Degrees”, one of the albums which musically defined America’s bicentennial year 1976. More accurately this Boz Scaggs interview falls under “Ultra Rare”, as the Dallas Texas native, long residing in the San Francisco Bay wine country, has led one of the more private lives in contemporary music.