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The late Eddie Money’s sojourn with his most popular album “Can’t Hold Back” took him from the top of the charts with “Take Me Home Tonight” back to the hospital where his drug overdose six years earlier had paralyzed his leg. “The first time I heard ‘Take Me Home Tonight’ on the radio I was doing the dishes in rehab,” Eddie tells us incredulously. “I said to myself, ‘What’s wrong with this picture?’ “
Ted Nugent’s “Free for All” changed the national radio reception and overamped its way to #24 on the Billboard album chart in Fall 1976, becoming his second consecutive multi-platinum seller. Tyrannosaurus Ted is my guest In the Studio.
The story behind this free concert performance by Van Halen of “Poundcake” in the streets of downtown Dallas in early December 1991 gets filed under Urban Legends that are actually true. That’s me introducing Van Halen from the stage. -Redbeard
Men At Work managed to occupy the peak slot in America for 15 weeks. The songs “Who Can It Be Now?” and “Down Under” followed the Business As Usual debut album from Men At Work to #1 sales for all three in the U.S., something never before done by a rookie band, not even the Beatles.
On the eve of their first North American concert tour in decades, Genesis triumvirate Mike Rutherford, Tony Banks, and Phil Collins reconvened here In the Studio to reprise the world premiere broadcast which I hosted and produced with them in November 1991 for “We Can’t Dance” .
In the period 1970-89 covered by this classic rock interview for his Best pt 2 with Rock and Roll Hall of Fame inductee Todd Rundgren, he made twenty-two albums in seventeen years either as a solo artist or the leader of the multi-threat Utopia. “Prolific” seems woefully inadequate to begin to describe that enormous creative output. “Most of these albums are a result of some kind of musical adventure,” Todd explains.” It’s a privilege that a lot of people don’t enjoy.”
…In part one of this classic rock interview I make the case that no one waiting in the wings of the Rock Hall has done more for rock music over the last half century, in more ways, than Todd Rundgren.
For two days, the quicksilver singer/songwriter/guitarist/producer Lindsey Buckingham and I sat in a small windowless room serving as his confessional, his therapeutic safe space, and we did not leave until Lindsey told me his truth about playing the role of Vincent in the real-life Van Gogh soap opera that has been his life and musical career for nearly fifty years.
“Third Stage” Boston comeback album released in September 1986 put up spectacular numbers in popularity, with three Top 20 hits on Billboard including “Cant’cha Say”,”We’re Ready”, and the #1 “Amanda”, all helping to blast the album to #1 sales. Boston bandleader Tom Scholz, my guest, also brought free-agency to the music business.
So when their sophomore effort “Get Lucky” came out in Fall 1981, these Canadian rockers Loverboy were the right band at the right time. North American rock radio was waiting in anticipation for”Working for the Weekend”, along with “When It’s Over”, “Jump” co-written by fellow countryman Bryan Adams, “Gangs in the Street”, and “Take Me to the Top”. Lead singer Mike Reno and guitarist Paul Dean recall how nice guys don’t finish last in this In The Studio classic rock interview.