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“Bookends” by Simon and Garfunkel went to #1 sales in both America and the UK, and since then Rolling Stone magazine has ranked “Bookends” as the #21 album of the entire Sixties, as well as #234 on their Top 500 Albums of All Time. Art Garfunkel is my guest In the Studio for this ultra-rare classic rock interview.
It happened to Elton John, Rod Stewart, Billy Joel, Bruce Springsteen, Bryan Adams, Sting, and most recently U2: US radio and music video outlets overplaying the hits by these most popular musicians, in the programmers’ misguided attempts at gaining a bigger audience. But the unfortunate by-product is that these listeners/viewers burn out on the saturation repetition to the peril of the musicians, and the predictable backlash unfortunately is misdirected at the musicians, who had no control over how their songs were appropriated. No one on the planet knows this better now than my guest Phil Collins while sharing his second solo album,”Hello I Must Be Going.”.
No less than four of Joe Cocker’s many albums have significant anniversaries: “Joe Cocker (1972)”,”Sheffield Steel”(’82),”Unchain My Heart”(’87), & “Night Calls” in 1992…By way of a “best of” these, here is my 2004 interview with the late Joe Cocker at the time of his excellent “Heart and Soul” release.
“So Happy It Hurts” is the Canadian rocker’s fifteenth (!) studio album, and he’s not even old enough to get the Early Bird Special down at Denny’s. Adams became a star way back in late 1984 with “Reckless”, one of the Eighties’ biggest sellers, then in 1991 absolutely crushed it with “Waking Up the Neighbours”, an all-time biggest selling album in history. Bryan Adams’ seventh studio album, “18 ‘Til I Die” , was a #1 seller in the UK and Top Five sales internationally. But when “18 ‘Til I Die” came out in June 1996, US rock radio programmers decided, in spite of the music actually on the album to the contrary, to brand Bryan Adams a love song balladeer, not rock enough, not alternative enough, not cool enough. Adams finally addresses the issue with tongue firmly in cheek on the song “Kick Ass” from “So Happy It Hurts” with the help of the brilliant British pillar of Python humor, John Cleese, who has been skewering pompous pundits for half a century. Also listen to the infectious “Never Gonna Rain Again” which could be Bryan Adams’ next big hit.
Debut release Foreigner became the fastest-selling debut album in Atlantic Records’ long storied history. Foreigner founder Mick Jones and original singer/co-writer Lou Gramm join me here In the Studio for realization of their collective dream in the stories behind the songs “Cold As Ice”, “Headknocker”, “Starrider”,”Long Long Way from Home”,”At War with the World”, and the time-less “Feels Like the First Time”.
Jethro Tull’s March 1972 epic “Thick As a Brick” is the only album in music history to attain #1 sales on Billboard containing only one song…Ian Anderson joins me In the Studio with Jethro Tull’s “Thick As a Brick” for one of the greatest progressive albums ever!
On the eve of their first North American concert tour in decades, Genesis triumvirate Mike Rutherford, Tony Banks, and Phil Collins reconvened here In the Studio to reprise the world premiere broadcast which I hosted and produced with them in November 1991 for “We Can’t Dance” .
Legendary wrestler-turned-Led Zeppelin manager Peter Grant had an appropriately out-sized role in the Led Zeppelin “4” story as told here In the Studio by Jimmy Page and Robert Plant.
DE & AC with Redbeard, Austin April 1992, part two. For review & demonstration Derek Ham, Fourth Drawer Films only.
Redbeard interview for demonstration and review only. For Derek Ham Fourth Drawer Films only. DE & AC April 8, 1992 in Austin TX. Part ONE of two.