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Rock & Roll Hall of Famer Robbie Robertson has died at age 80. As an elder statesman of twentieth century rock, as well as 21st century film soundtracks, we were blessed by his stories, wit, and wisdom multiple times here In the Studio.
Over the fifty+ years the perception seems to have become that Lynyrd Skynyrd had a date with destiny, an almost Shakespearean drama of dreams, aspirations, triumph, and tragedy to which all of us were immediately and keenly aware from the moment of “Pronounced” ‘s release. The late Gary Rossington dismissed that assumption as no more true than imagining Will Shakespeare did not toil, struggle, and starve in relative obscurity in his time.
“Things Goin’ On”, a song that appeared on the “Pronounced” album. This acoustic performance of it on Q102 in Dallas March 24,1993 featured Lynyrd Skynyrd singer Johnny Van Zant plus two original Lynyrd Skynyrd guitarists, Gary Rossington and the late Ed King
The Moody Blues’ third album, “In Search of the Lost Chord” released in 1968, unfolded like a sweeping cinematic epic playing in the panorama between your ears. The antithesis of a Top 40 band, nevertheless “In Search of the Lost Chord” contained the progressive rock “Legend of a Mind” as well as “Ride My Seesaw”. Justin Hayward, the late Graeme Edge, and John Lodge co-host here In the Studio.
The all-important breakthrough third ZZ Top album, “Tres Hombres”, will focus on the all-around improvements in recording quality and songwriting reflected in such perennials as “Waitin’ for the Bus”, “Jesus Just Left Chicago”, and “Lagrange” plus the introduction of “the squank” to guitar vernacular. Squankmaster Billy Gibbons, drummer Frank Beard, and the dearly missed Dusty Hill tell the colorful tales of the earliest days of ZZ Top here In the Studio for the breakthrough third album, “Tres Hombres”.
I have interviewed literally hundreds of the greatest rock musicians , but George Thorogood is the only one who told me that he was planning to be a professional comedian, not a musician. The best-selling album by bare-knuckle electric bluesrocker George Thorogood with July 1982’s Bad to the Bone. George marks the occasion here In the Studio with his unlikely journey featuring all of his biggest hits including “One Bourbon, One Scotch, and One Beer”,”Move It On Over”, Bo Diddley’s “Who Do You Love”, “I Drink Alone”, Chuck Berry’s “It Wasn’t Me”, and of course “Bad to the Bone”.
By the time the credits roll concluding the four-time Oscar winning Queen biopic “Bohemian Rhapsody”, a casual music fan might assume that the royal rockers’ career must have peaked with that July 1985 Live Aid London benefit concert performance which climaxes the film. In fact, the story portrayed in “Bohemian Rhapsody” is only the first volume of the five decade Queen saga whose final chapter is being writ large in real time even today with Queen + Adam Lambert North American Tour. Brian May & Roger Taylor return In the Studio for part 2 of the band’s Golden Jubilee.
This audio montage of Redbeard is copyrighted by RedbeardRocks!, all rights reserved, and is for DEMONSTRATION ONLY. It cannot be used in whole or in part without the express written consent of the copyright holder. This is Redbeard performing on KTXQ/Q102 Dallas/Ft. Worth in Summer 1985, followed by Bob Eliot.
Widely viewed along with Bob Dylan, The Byrds, and Gram Parsons as fathers of the Americana musical movement, The Band also may have been one of rock’s first alternative groups. In part one of this classic rock interview, main songwriter Robbie Robertson (“The Weight”,”The Night They Drove Ol’Dixie Down”,”Up on Cripple Creek”,”The Shape I’m In”) helps me make that case.
As we discuss the forty-fifth anniversary of their blockbuster second album Double Vision, one of the most endearing things about Foreigner founder and guiding heart, Mick Jones, is that he has never been coy or clever in trying to hide his inspirations, or aspirations, for the band. Case in point is the song “Blue Morning, […]