Pete Townshend and Roger Daltrey join me In the Studio in this interview for the first in a two-part look at “Quadrophenia” at fifty, the last word on Townshend’s October 1973 rock opera, which certainly is much more appreciated today than upon its initial release …(more)
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(cont)… As The Who’s recognized Quadrophenia auteur , Townshend has assessed their almost half-century of musical creation and found it to be good . Pete is a delightful , witty , thoughtful , and refreshingly honest conversationalist who can easily and effectively examine The Who’s epic 1973 opus through a slightly-detached , objective eye which only the passage of time , and maturity , can provide . -Redbeard
In this live concert performance in 1982 of “5:15”, originally on “Quadrophenia”, the Who thunders through the song like a locomotive, with Kenney Jones on drums and the late John Entwistle on bass.
Was “Who Came First” a question or a declarative statement in October 1972? Pete Townshend joins me In the Studio for the answer on the golden anniversary of his first of many great solo albums, which we feature here.
“Who’s Next” by The Who, ranked by Rolling Stone magazine as the #28 rock album of all time, this August 1971 absolute musical masterpiece is mated with an incredibly illuminating classic rock interview with its composer, Pete Townshend, here In the Studio including the songs “Baba O’Riley”,”Bargain”,”Going Mobile”,”Behind Blue Eyes”,”Getting in Tune”, and “Won’t Get Fooled Again”…
Pete Townshend returns In the Studio for the 50th anniversary of the timeless “Who’s Next”. Here is The Who with Kenney Jones on drums in Toronto December 1982 with a spirited “Baba O’Riley”.
Pete Townshend and Roger Daltrey here In the Studio hosting the tale of The Who “Live at Leeds” , with archival classic rock interview from the late John Entwistle .
If you have not listened to the Guess Who’s January 1970 classic “American Woman” album recently, I predict you will be amazed at how strong the songs were, such as “No Sugar Tonight”; how environmentally aware lyricist/ gifted singer Burton Cummings was on “New Mother Nature” and “Hand Me Down World”; and how rockin’ Randy Bachman could complement Cummings’ pop side on “American Woman” and before that, “No Time”. So why did Bachman leave at the Guess Who’s peak? Find out here from Burton Cummings & Randy Bachman In the Studio.
The conclusion of the story of The Who’s “Tommy” pt 2 with Pete Townshend In the Studio.
Pete Townshend joins Redbeard In the Studio on “Tommy” ‘s 50th anniversary, part 1 of 2.