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“We did two hundred sixty-five shows that year 1975,” says Bob Seger with a mixture of pride and amazement…by October 1976 with “Night Moves” containing “Rock and Roll Never Forgets”,”Main Street”,”The Fire Down Below”,”Come to Poppa”, and the title song which Bob calls “…a little novelette.”
By the time October 1981 ‘s fourth Police album “Ghost in the Machine” was dispatched, the exposed roots and influences shown by the London-based trio founded by Yankee drummer Stewart Copeland, who had emerged from the dying embers of the Punk Rock scene there, were more Miles and Mingus than Johnny Rotten. “Ghost in the Machine” topped the UK sales chart, #2 on Billboard album chart, over three million copies sold in America alone, and Rolling Stone magazine ranking it at #322 on their Top 500 Albums of All Time list. Police commissioner Stewart Copeland and six-string sharpshooter Andy Summers are your personal Ghost…busters with me here In the Studio in my classic rock interview.
“Third Stage” Boston comeback album released in September 1986 put up spectacular numbers in popularity, with three Top 20 hits on Billboard including “Cant’cha Say”,”We’re Ready”, and the #1 “Amanda”, all helping to blast the album to #1 sales. Boston bandleader Tom Scholz, my guest, also brought free-agency to the music business.
It’s the 25th anniversary of YES releasing their 21st century chestnut “Magnification” in September 2001, with Jon Anderson, Trevor Rabin, the late Alan White, Steve Howe, Tony Kaye, and the late Chris Squire ALL In the Studio.
It had been such a “long time”, almost seven years, since the band Boston had released a new album and toured, that when Tom Scholz, Brad Delp and Boston (band) returned to the concert stage in Summer 1987, t was international news. It also was a terrifying re-entry to live performance for the shy, soft-spoken lead singer Delp…
In September 1976, Lynyrd Skynyrd and Atlanta’s venerable Fox Theater each needed a minor miracle. Performing over three hundred shows on 1975’s notorious “Torture Tour” had original Lynyrd Skynyrd members dropping like flies. Three things were evident: America’s hyped bicentennial was entering the history books even as the wrecking ball was heading for the Fox Theater; a live “best of” discounted price double album by Peter Frampton earlier that year was re-writing the record books; and Lynyrd Skynyrd was selling more concert tickets than copies of their diminished ranks studio album “Gimme Back My Bullets”. The band needed a stop-gap recording that could capture their lightning in a bottle live show, and the Fox Theater needed a lightning rod which could make saving it a cause celebre. Original co-founder the late guitarist Gary Rossington joined me here In the Studio for the tale behind “One More from the Road”.
If you’ve ever been in a band, you need to listen to this honest, heartwarming, hysterically funny interview with Triumph … 1979 breakthrough “Just a Gam”e with the songs “Hold On” and “Lay It on the Line”, plus the even bigger seller “Allied Forces” forty years ago with “Magic Power” and “Fight the Good Fight”.
The all-important breakthrough third ZZ Top album, “Tres Hombres”, will focus on the all-around improvements in recording quality and songwriting reflected in such perennials as “Waitin’ for the Bus”, “Jesus Just Left Chicago”, and “Lagrange” plus the introduction of “the squank” to guitar vernacular. Squankmaster Billy Gibbons, deceased drummer Frank Beard, and the dearly missed Dusty Hill tell the colorful tales of the earliest days of ZZ Top here In the Studio for the breakthrough 1973 third album, “Tres Hombres”.
“Metallica” (affectionately known as “The Black Album” in the same way The Beatles had been dubbed “The White Album”), Metallica’s lead guitarist Kirk Hammett and lead throat James Hetfield show how the band sits atop the family tree of hard rock/heavy metal evolution.
In July 1981, Stevie Nicks already was in arguably America’s most popular band, Fleetwood Mac, but her first solo album then, “Bella Donna”, took her career to another level entirely, a fact that was by no means guaranteed and which came at some cost. Stevie spells it all out quite candidly In the Studio while revealing the stories and characters behind “Edge of Seventeen”, “Leather and Lace” with Don Henley, and the timeless duet with Tom Petty on his “Stop Draggin’ My Heart Around”.