If you are not happy with the results below please do another search
“Metallica” (affectionately known as “The Black Album” in the same way The Beatles had been dubbed “The White Album”), Metallica’s lead guitarist Kirk Hammett and lead throat James Hetfield show how the band sits atop the family tree of hard rock/heavy metal evolution.
Hetfield. Hammett. Here, beginning August 10 In the Studio for the 35th anniversary of Metallica “The Black Album”.
In July 1981, Stevie Nicks already was in arguably America’s most popular band, Fleetwood Mac, but her first solo album then, “Bella Donna”, took her career to another level entirely, a fact that was by no means guaranteed and which came at some cost. Stevie spells it all out quite candidly In the Studio while revealing the stories and characters behind “Edge of Seventeen”, “Leather and Lace” with Don Henley, and the timeless duet with Tom Petty on his “Stop Draggin’ My Heart Around”.
Al Stewart joins me In the Studio in a rare interview about his breakout 1976 album “Year of the Cat”. But being witness repeatedly to rock history apparently accounted for nothing when Al Stewart’s seventh album, “Year of the Cat”, was unceremoniously turned down by every major UK record label 50 years ago.
“Every Good Boy Deserves Favour” was the Moody Blues’ seventh album in a string of commercially and critically popular efforts. Singer/lead guitarist Justin Hayward, singer/bass player the late John Lodge, and departed Moody Blues co-founder drummer Graeme Edge take “Every Good Boy Deserves Favour” to share here In the Studio insights into some of the Moody Blues’ best of those early years.
Hard-charging San Francisco juggernaut Journey unveiled a defining album for the decade with “Escape” in July 1981, containing “Don’t Stop Believin’ “,”Stone in Love”, “Who’s Crying Now”,”Open Arms”, and “Mother, Father”. For the forty-fifth anniversary of this timeless effort, the Journey songwriting triumvirate of Steve Perry, founding guitarist Neal Schon, and new recruit then Jonathan Cain all recall their daring “Escape”.
July 1991’s “Into the Great Wide Open”, Tom Petty and the Heartbreakers’ first post-Traveling Wilburys/”Full Moon Fever” effort with his own band. First, Tom turned forty. “I’ll probably look back at this as some kind of mid-life crisis album,” Petty chuckled, “and go,’God, I should’ve just lightened up ! Should’ve had a drink and forgot about it!’ ,,.It’s very hard living your life as we have in tour buses and airplanes for all of this time… And you do kind of realize that ,’ Gee, twenty more and I’m outta here!’ So you do take stock of that, you do.”
Def Leppard’s Joe Elliott, Ric Savage, & Phil Collen join Redbeard “In the Studio” for the 45th anniversary of “High ‘n’ Dry”.
“It went platinum (1,000,000 sales ) in thirteen days,” Pat Benatar states matter-of-factly while she and hubby/ musical director Neil Giraldo reminisce In the Studio about the explosive third album,”Precious Time”, as it headed rapidly to the top-selling perch in America in Summer 1981…
Genesis’ biggest album in their long fifty year+ career, “Invisible Touch” (worldwide sales estimated at 15,000,000) turns forty, so we convened Mike Rutherford, Tony Banks, and Phil Collins here In the Studio to discuss the blockbuster sales behind “Tonight, Tonight, Tonight”, “Land of Confusion”, “In Too Deep”, “Throwing It All Away”, and “Invisible Touch”.