Moody Blues- Days of Future Passed
The Moody Blues’ Days of Future Passed in November 1967 stands even today as one of the pillars at the portal to Progressive Rock (the other being In the Court of the Crimson King about a year later), and for the first-person story of this essential album, we have Justin Hayward and the late John Lodge as our guides here In the Studio. But you may be surprised to find that much of the legend of Days of Future Passed is actually myth.
The many musical assumptions surviving the Moody Blues’ groundbreaking November 1967 second album, Days of Future Passed, were variously confirmed, corrected, and embellished by my guests Justin Hayward and John Lodge here In the Studio in this classic rock interview. Among them:
-After singing “Go Now” in 1964, lead singer Denny Laine left the Moody Blues with the name, one hit, and 5,000 British pounds in debt to their record company. Young unknowns Justin Hayward and John Lodge were added. Hayward claims that he got the gig “…because I had an amplifier!”
-The Moody Blues did not have a record album contract with label Decca, just a deal for a few single sides.
-Reduced to playing supper clubs, the band had to sell their equipment van to survive.
-Hayward, Lodge, drummer Graeme Edge, flautist Ray Thomas, and keyboard player Mike Pinder could not afford recording studio time, so in an effort to recoup their modest 5000 British pound investment, the label allowed the band to record at times when the studio was vacant, usually a few hours in the middle of the night. 
-The first recording of Justin Hayward’s “Nights in White Satin” by the Moody Blues was for a BBC radio program. After the one-time broadcast, the network reused the tape by recording over it, effectively destroying the only recording of “Nights…” at the time.
-The Moody Blues did NOT record with the London Festival Orchestra on Days of Future Passed. “They only played in the gaps between our songs,” points out Justin Hayward.
-Though technically not the first rock opera (there are no characters), the album’s song cycle of a 24-hour day is one of the first rock concept albums, and is widely cited as the dawn of Progressive Rock.
-Some 70 million album sales and over half a century later, the Moody Blues have been able to replace their van, and have been invited to park it permanently at the Rock and Roll Hall of Fame. You helped correct that inexplicable omission by voting the Moody Blues in for the Spring 2018 ceremony. ( Justin Hayward (l) and John Lodge (r).
Moody Blues mainstays Justin Hayward and John Lodge document the fascinating story of a true Hail Mary pass to avoid abject poverty and starvation, resulting not only in timeless hits “Tuesday Afternoon” and “Nights in White Satin” but also igniting a musical movement, Progressive Rock, that combined the psychedelic sounds of 1967 with the orchestral grandeur and literary purpose of the classics. –Redbeard
