It occurred that one of the less recognized aspects of the brief but all-important Punk Rock trend in the latter half of the Seventies is how it aided and abetted countless upstart bands at the same time which were not necessarily a part of that CBGB Club scene…There is no doubt that the stirring of the rock crock pot by the Punks caused a lot of interest in new bands in general, particularly for the New York City-based record labels and rock press. Singer/ songwriter Eddie Money may have been in San Francisco when he convinced legendary concert promoter Bill Graham to manage him, but both Money and his mentor were Big Apple natives, which didn’t hurt when Columbia Records offered Eddie a deal for his self-titled debut in 1977.
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Eddie Money’s sojourn with his most popular album Can’t Hold Back took him from the top of the charts with “Take Me Home Tonight” back to the hospital where his drug overdose six years earlier had paralyzed his leg. “The first time I heard ‘Take Me Home Tonight’ on the radio I was doing the dishes in rehab,” Eddie tells us incredulously. “I said to myself, ‘What’s wrong with this picture?’ “
On July 4th weekend in 1978, almost 100,000 people crammed into the Cotton Bowl in Dallas for the first Texxas Jam on the hottest day of the decade to watch Van Halen, Heart, Ted Nugent, Aerosmith, Journey, Eddie Money, Walter Egan, Head East, & Frank Marino. It was one of the first stadium rock shows of this magnitude ever held in the South
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Queen headlining the Rainbow Theatre for the first time in late March 1974 were so impressive in concert that when they booked the same venue in November later that same year to premiere their third studio album, “Sheer Heart Attack” , the young foursome had to add a second night.
You know after a best-selling book is made into a popular film how you’ll hear from early adopters, “Yeah it’s good, but there was a lot in the book that wasn’t in the movie”? Same can be said for the four Oscar-winning Queen biopic Bohemian Rhapsody as compared to their almost fifty year reign as […]
(cont)… As The Who’s recognized Quadrophenia auteur , Townshend has assessed their almost half-century of musical creation and found it to be good . Pete is a delightful , witty , thoughtful , and refreshingly honest conversationalist who can easily and effectively examine The Who’s epic 1973 opus through a slightly-detached , objective eye which only the passage of time , and maturity , can provide . -Redbeard
Happy birthday to the mayor of Mr. Crowe’s neighborhood, Chris Robinson (20th )
I had said in the liner notes where I was talking about one of the songs and I just said ,’ it reminds me of ya know Brave New World and Sailor when I was working on my guitar parts ‘. And what I did then and what I did on this record. So, it is similar, I think and it’s been a very fun project to get excited about playing lead guitar on a record…(To read the entire 1-hour interview,click the link below)