Free “Fire and Water” 50th anniversary In the Studio with Paul Rodgers.
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Next week we will share Redbeard’s exclusive interviews from thirty years ago when Tom Petty was holed up in Mike Campbell‘s garage making what would come to be known as Full Moon Fever . Enjoy this live romp with the Heartbreakers on “Free Fallin’ ” from the band’s residency at the Fillmore in San Francisco in […]
Elton John himself confirms here that indeed he and lyricist Bernie Taupin did compose “Philadelphia Freedom” not in 1975 for the US bicentennial the following year, as has been erroneously mythologized for decades, but in fact 1973, twenty years before this spectacular live performance outside Boston during the Walden Woods Benefit at Foxborough Stadium Labor […]
Prior to the Fall 1981 release Freeze Frame , Boston’s J Geils Band had released ten albums while touring relentlessly. Yet the hard-driving jump’n’jiving lead singer Peter Wolf admits that all they really had to show for the effort was half a million dollars in debt….(more)
Without fanfare ( and without radio airplay, I’m afraid ) forty-five years ago the self-titled Ted Nugent album came out and proceeded to sell over a million copies, purely on his gonzo concerts. Tyrannosaurus Ted is my guest In the Studio.
On the fiftieth anniversary of the the first Emerson, Lake, and Palmer album, it’s clear that Emerson Lake and Palmer were much less “Be Bop a Lula” in their melodic grandeur and much more “Andrew Lloyd Weber”. Here In the Studio is the story in their own words of progressive rock’s first supergroup.
Ozzy Osbourne In the Studio on the fortieth anniversary of “Blizzard of Ozz”.
“Light and shade,” Jimmy Page once told me, speaking to the secret of Led Zeppelin’s universal popularity, and never was that combination more on display than on the title song to Jethro Tull’s September 1975 “Minstrel in the Gallery”.
“I’m probably the worst musician in the band,” admits Ray Davies of The Kinks In the Studio. “They’re very good players, and this record One for the Road shows them off as players as well.”
Beginning in 1979 and continuing all the way until 1987 with Crest of a Knave, Jethro Tull’s fate and fortunes would be quite unlike their first decade of success when the unique amalgam of blues rock, Scottish Highlands folk, and hard rock, led by Ian Anderson and exemplified by Aqualung and the worldwide #1-seller Thick As a Brick, packed arenas.