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Progressive rock band Genesis flirted perilously close to the mainstream for the first time in December 1976 with “Your Own Special Way” on the album”Wind and Wuthering”, yet there are no reports of any permanent injury. Mike Rutherford and Phil Collins join me In the Studio. -Redbeard
To illustrate how seriously many of the post-British Invasion bands were approaching the rock idiom by early 1973, you need look no further than Pink Floyd’s “Dark Side of the Moon” to see how this progressive rock movement had matured, with spectacular results both artistically and commercially, confirmed in this fiftieth anniversary classic rock interview by my guests, musical lunar explorers David Gilmour, Roger Waters, and Nick Mason.
It happened to Elton John, Rod Stewart, Billy Joel, Bruce Springsteen, Bryan Adams, Sting, and most recently U2: US radio and music video outlets overplaying the hits by these most popular musicians, in the programmers’ misguided attempts at gaining a bigger audience. But the unfortunate by-product is that these listeners/viewers burn out on the saturation repetition to the peril of the musicians, and the predictable backlash unfortunately is misdirected at the musicians, who had no control over how their songs were appropriated. No one on the planet knows this better now than my guest Phil Collins while sharing his second solo album,”Hello I Must Be Going.”.
A half century ago, YES’s Close to the Edge was stunningly popular, with Top Five sales in both the U.S. and UK. In these thoughtful, detailed classic rock interviews, YES lead singer/lyricist Jon Anderson, guitarist Steve Howe, extraordinary drummer Bill Bruford, and keyboard innovator Rick Wakeman provide a surprisingly candid recounting of the undisputed peak of the Progressive Rock era.
On the eve of their first North American concert tour in decades, Genesis triumvirate Mike Rutherford, Tony Banks, and Phil Collins reconvened here In the Studio to reprise the world premiere broadcast which I hosted and produced with them in November 1991 for “We Can’t Dance” .
Of his cinderella first solo album “Face Value” forty years ago, Phil Collins recalls the real-life betrayal and heartbreak which inspired “In the Air Tonight”, “I Missed Again”; and why he did not include another original, “How Can You Sit There?”, on Face Value nor it’s follow up, Hello I Must Be Going, but opted instead to give it to the soundtrack of the 1984 movie Against All Odds, going on to become Phil Collins’ first #1 hit.
With Peter Gabriel‘s superb So album marking an anniversary, it brings to mind this bold cover version of one of Gabriel’s most-loved songs. Clearly, young Jeffrey Gaines was already reinterpreting “In Your Eyes” and mesmerizing audiences with it as early as Fall 1992, which this live acoustic performance on my Dallas/ Ft.Worth radio show reveals, but […]
AC/DC Bryan Adams Aerosmith Bad Company Band,The Beatles Pat Benatar Black Crowes Black Sabbath Bon Jovi Boston Jackson Browne David Bowie Byrds Cars Cheap Trick Chicago Eric Clapton Joe Cocker Phil Collins Alice Cooper Cream Creedence Clearwater Revival Crosby,Stills,Nash Damn Yankees Deep Purple Def Leppard Dire Straits Don Henley Doobie Brothers Doors Eagles Steve Earle […]
For Christmas 1971, my 11 year old brother received a present from me of a record album. While on the surface this would appear not the least remarkable … except that it was Meddle by Pink Floyd, containing the 18 minute long opus “Echoes”. Not your standard fare for fifth grade “show and tell “. […]