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41

Alice Cooper- Love It to Death- Killer

“Love It to Death” in March 1971 may have been the the third album by the band Alice Cooper, but that doesn’t change the fact that nobody bought the first two. By December of that same year, EVERYBODY had heard “I’m Eighteen” off of Love It to Death ,  and Alice Cooper had written and recorded a soon-to-be-classic additional full album, Killer .And it was

42

Todd Rundgren- Best pt 1

…In part one of this classic rock interview I make the case that no one waiting in the wings of the Rock Hall has done more for rock music over the last half century, in more ways, than Todd Rundgren.

43

Todd Rundgren- Can We Still Be Friends?- Ridgefield CT 2015

Rock and Roll Hall of Fame inductee-to-be Todd Rundgren performed a concert in Connecticut in 2015 that was breathtaking in it’s career overview, from the Nazz to Utopia, and including almost five decades of brilliant solo songs such as “Can We Still Be Friends?”.

44

Van Morrison- Tupelo Honey

the timeless Van Morrison warm musical blanket, “Tupelo Honey” . This ultra-rare, fascinating interview with the reclusive “Howard Hughes of Rhythm ‘n’ Blues” is nothing short of a revelation…

45

The Pretenders- Pretenders II- Chrissie Hynde

We had never met anyone in rock music quite like The Pretenders bandleader Chrissie Hynde, and honestly in the  forty years since, I still haven’t…I have Ms. Hynde here to speak for herself In the Studio  about The Pretenders/ Pretenders II, one of rock’s most important one-two Post-punk punches.

46

Metallica- Load- James Hetfield, Kirk Hammett

Metallica “Load” did not budge from the top seller position for a full four consecutive weeks in June 1996 because of such tender love songs as “Ain’t My Bitch”,”Bleeding Me”,”King Nothing”, “The House  Jack Built”, and “Until It Sleeps”. Guitarist/singer James Hetfield and guitarist Kirk Hammett are surprisingly unguarded, conversational, and open about this dizzying rocket ride into superstardom.

47

Bonnie Raitt- Nick of Time/ Luck of the Draw

When “Nick of Time”  rose steadily, eventually becoming the #1-selling album in the US a year after release it’s Spring 1989 release, no one was more surprised than Bonnie Raitt. When it also won three Grammy Awards including the coveted Album of the Year Grammy in 1990, no one was more appreciative. Then in May 1991, she released “Luck of the Draw”, her biggest album ever. Bonnie Raiitt is my guest In the Studio.

48

Moody Blues- Long Distance Voyager- Justin Hayward, John Lodge

After scoring a worldwide #1 seller with “Seventh Sojourn” in 1972, then spending the next two years mounting the largest concert tour in history at the time, the Moody Blues baffled everyone by taking practically the rest of the Seventies off as a collective. To fill in the missing piece of the puzzle, as well as mark the fortieth anniversary of their #1 selling album “Long Distance Voyager”, Moody Blues lifers Justin Hayward and John Lodge are my guests here In the Studio.

49

Cheap Trick- Essential- Rick Nielsen, Robin Zander

On a maximum scale of five stars, the 1977 debut by Cheap Trick  receives AllMusic.com’s highest rating, and the even more melodic, better sounding  sophomore effort “In Color” in the same year earns 4 1/2 stars. Then Cheap Trick’s Rick Nielsen, Robin Zander, Tom Petersson, and Bun E. Carlos wrote and recorded the  masterpiece “Heaven Tonight” in May 1978, yet again scoring a critics’ perfect five star rating. So in hindsight it would appear that recording the Rockford IL quartet’s set while performing the strongest material from these three killer studio albums, in front of an adoring audience in one of the world’s premiere venues, would be as obvious as a sumo wrestler in your shower stall.

50

Emerson, Lake, and Palmer- Tarkus

Listening now to the epic title song to “Tarkus , the second studio album in June1971 which followed quickly after their stunning 1970 debut, with Greg Lake’s voice delicately yet nimbly bounding along to Keith Emerson’s piano runs, it’s clear that Emerson Lake and Palmer were much  less “Be Bop a Lula” in their melodic grandeur and much more “Andrew Lloyd Weber”. Here In the Studio is the story in their own words of progressive rock’s first supergroup.