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The Beatles “White Album” 55th Anniversary: How can an album accomplish so much by embedding itself indelibly in popular culture, continuing to influence generations a half century after release, while on the surface revealing so little about its contents and its creators?
Paul McCartney retraces the Beatles #1s with Redbeard from Liverpool to the top of the charts, writing music history with every #1 song. Also you’ll hear Redbeard’s rare interviews with the late George Harrison.
Paul McCartney joins me In the Studio here in part two of the Beatles’ “White Album” 55th anniversary to explore the songs “Birthday”, Lennon’s “Everybody’s Got Something to Hide Except for Me and My Monkey”, Paul’s “Mother Nature’s Son”, one of three versions of “Revolution”, the campy pally band arrangement on “Honey Pie”, Lennon’s “Cry Baby Cry”, and the real inspiration behind the song which figured into the notorious Charles Manson multiple murder case,”Helter Skelter”.
The Beatles #1+ sellers including “Lady Madonna”,”Hey Jude”,”Get Back”,”Something”,”Come Together”,”Let It Be”, and “The Long and Winding Road”. Paul McCartney hosts part two, and additional comments from my interviews with the late George Harrison are here, too
Confidence & poise to know that the audience is totally with Paul McCartney live so that “We Can Work It Out”.
Aerosmith “Rocks”. It was a declarative statement in May 1976 with no equivocation. If “Toys in the Attic” a year earlier had been the definitive mid-Seventies American hard rock statement, then Aerosmith “Rocks” made it musically imperative with “Back in the Saddle”, “Sick as a Dog”, the clever sequel to “Toys…” with “Rats in the Cellar”, and another infectious Steven Tyler/Brad Whitford hit, “Last Child”. Fifty years of Aerosmith “Rocks”!
“Basically he signed a blank tape,” Alan Parsons chuckles about 20th Century Records President Russ Regan greenlighting a concept album “Tales of Mystery and Imagination”, based on the books of Edgar Alan Poe, composed by the young Abbey Road studio hound and songwriter Eric Woolfson as The Alan Parsons Project.
It’s the long dreamed about, too good to last summit meeting of both Seventies and Eighties-era YES members on the April 1991album “Union”, with Jon Anderson, Trevor Rabin, the late Alan White, Steve Howe, Tony Kaye, and the late Chris Squire ALL In the Studio.
“Live with the Edmonton Symphony Orchestra” from the eclectic British band Procol Harum, which has the distinction of placing two of the most unlikely songs at the top of the singles chart five years apart with “Whiter Shade of Pale” in 1967 and “Conquistador” in 1972. My ultra-rare interview features organist Matthew Fisher, lyricist the late Keith Reid, guitarist on the first three studio albums, Robin Trower, and the late singer/pianist Gary Brooker.
Queen’s Brian May and Roger Taylor In the Studio with Redbeard on the 35th anniversary of “Innuendo”, Freddie Mercury’s final album, which Rolling Stone magazine called “Queen’s last masterpiece.”