Paul McCartney- We Can Work It Out
Confidence & poise to know that the audience is totally with Paul McCartney live so that “We Can Work It Out”.
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Confidence & poise to know that the audience is totally with Paul McCartney live so that “We Can Work It Out”.
Aerosmith “Rocks”. It was a declarative statement in May 1976 with no equivocation. If “Toys in the Attic” a year earlier had been the definitive mid-Seventies American hard rock statement, then Aerosmith “Rocks” made it musically imperative with “Back in the Saddle”, “Sick as a Dog”, the clever sequel to “Toys…” with “Rats in the Cellar”, and another infectious Steven Tyler/Brad Whitford hit, “Last Child”. Fifty years of Aerosmith “Rocks”!
“Basically he signed a blank tape,” Alan Parsons chuckles about 20th Century Records President Russ Regan greenlighting a concept album “Tales of Mystery and Imagination”, based on the books of Edgar Alan Poe, composed by the young Abbey Road studio hound and songwriter Eric Woolfson as The Alan Parsons Project.
“Live with the Edmonton Symphony Orchestra” from the eclectic British band Procol Harum, which has the distinction of placing two of the most unlikely songs at the top of the singles chart five years apart with “Whiter Shade of Pale” in 1967 and “Conquistador” in 1972. My ultra-rare interview features organist Matthew Fisher, lyricist the late Keith Reid, guitarist on the first three studio albums, Robin Trower, and the late singer/pianist Gary Brooker.
Queen’s Brian May and Roger Taylor In the Studio with Redbeard on the 35th anniversary of “Innuendo”, Freddie Mercury’s final album, which Rolling Stone magazine called “Queen’s last masterpiece.”
“The YES Album”, a progressive rock touchstone, was quietly released in early 1971. If the British Invasion bands led by The Beatles and Rolling Stones wanted to be rock’n’roll’s second verse after “Be Bop a Lula” and “Maybe Baby”, then London’s King Crimson, Emerson Lake and Palmer, and YES were determined to be rock’s “C” section, the musical bridge which takes the listener somewhere unexpectedly before returning to the familiar refrain.
The Sting and I…We had already done multiple interviews when he was in The Police and now Sting had released three solo albums, including his solo “The Soul Cages”, by the time we reconvened in 1991. Sting had lost both parents by then, the most recent his father, and was clearly wrestling with his star ascending amidst pain and personal loss.
The Grateful Dead’s “other one”, Bob Weir, has died from cancer at 78.
“In the case of The Who, the thing that comes across for me is that The Who started as a Pop band. Good Pop possibly is the sublime and the ridiculous, the important and the absurd.” Pete Townshend & Roger Daltrey are my guest In the Studio for “My Generation” @60!
For “Lola”, Kinks singer/songwriter Sir Ray Davies In the Studio discussing those essential Kinks recordings.
