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Styx here live in blues legend Willie Dixon’s Chicago recording studio at 2120 Michigan Avenue, the site of the original Chess Records, back in 2005 laying down a soul-infused reading of Tommy Shaw’s working class musical manifesto “Blue Collar Man”.
“Chicago II” climbed to #4 sales in America, #6 in the UK, a Grammy nomination for Album of the Year and sales of over a million, igniting a legacy of thirty-six releases in fifty years together. Chicago co-founder Robert Lamm tells the insider tale of Chicago “II”.
Chicago co-founder Robert Lamm with Redbeard “In the Studio” for Chicago Transit Authority pt 2.
“Chicago Transit Authority” marks the double nickel anniversary of the juggernaut Chicago in in 1969. This interview with Robert Lamm is part 1 of 2.
In the Studio with composer/singer Robert Lamm for Chicago’s third #1 selling album, “Chicago VII”.
John Mellencamp and his wonderfully talented band left his garage in Central Indiana back in early May 1989 and headed north by northwest to legendary Chicago Chess Studio and cut this live version of the Willie Dixon song made famous by Johnny Rivers , “Seventh Son”, straight off the studio floor, no overdubs. –Redbeard
Ladies and gentlemen, Charlie Watts accompanied by the Rolling Stones on “When the Whip Comes Down”!
Paul McCartney performed one of my favorite setlists in a particularly spirited Lollapalooza appearance in Chicago Summer 2015, digging into the Wings catalog for this version of “Nineteen Eighty-Five”.
Eric Clapton’s Crossroads Guitar Festival came full circle in 2019 back to Dallas Texas where the first one was held ( Cotton Bowl 2004 ). Here’s a flashback to Eric Clapton and southpaw slide guitarist Doyle Bramhall II at the 2007 Chicago GuitarFest, combining like EC did with the late Duane Allman as Derek and the Dominos, on “Tell the Truth”.
The all-important breakthrough third ZZ Top album, “Tres Hombres”, will focus on the all-around improvements in recording quality and songwriting reflected in such perennials as “Waitin’ for the Bus”, “Jesus Just Left Chicago”, and “Lagrange” plus the introduction of “the squank” to guitar vernacular. Squankmaster Billy Gibbons, deceased drummer Frank Beard, and the dearly missed Dusty Hill tell the colorful tales of the earliest days of ZZ Top here In the Studio for the breakthrough 1973 third album, “Tres Hombres”.