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Ted Nugent’s “Free for All” fifty years ago changed the national radio reception and over-amped its way onto the Billboard album chart in 1976, becoming the second of his three consecutive multi-platinum sellers. Tyrannosaurus Ted is my guest In the Studio.
Men At Work managed to occupy the peak slot in America for 15 weeks. The songs “Who Can It Be Now?” and “Down Under” followed the Business As Usual debut album from Men At Work to #1 sales for all three in the U.S., something never before done by a rookie band, not even the Beatles.
the breakout album “Strong Persuader” by my guest In the Studio, Robert Cray.
Hard-charging San Francisco juggernaut Journey unveiled a defining album for the decade with “Escape” in July 1981, containing “Don’t Stop Believin’ “,”Stone in Love”, “Who’s Crying Now”,”Open Arms”, and “Mother, Father”. For the fortieth anniversary of this timeless effort, the Journey songwriting triumvirate of Steve Perry, founding guitarist Neal Schon, and new recruit then Jonathan Cain all recall their daring “Escape”.
Eligible for Hall of Fame induction for twenty-two years, Styx has continued to be one of the top touring ticket sellers year after year to this day, continued to record and release spectacular high-concept high-tech rock such as 2017’s The Mission , yet surprisingly been unable to conjure up even a single nomination for Rock Hall of Fame consideration.
A Farewell to Kings, as well as to Rush drummer/ lyricist Neil Peart, with Geddy Lee and Alex Lifeson In the Studio.
Before he died in March 2013 Phil Ramone collaborated with a plethora of music superstars, including RAY CHARLES, BOB DYLAN, ARETHA FRANKLIN, PAUL MCCARTNEY, QUINCY JONES, FRANK SINATRA, STEVIE WONDER, BURT BACHARACH, BONO, MADONNA, and PAUL SIMON, among many others. More recently, he produced TONY BENNETT‘s “Duets II” set from 2011, when he also reunited […]
During our interview, Steve Miller reminded me that when “Fly Like an Eagle” came out in 1976, it contained such a wealth of great songs of varying styles, thoughtfully sequenced seamlessly, that I and my FM radio deejay brethren used to play entire sides of it (back when albums had sides) on the radio,uninterrupted…(more)
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