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Hard-charging San Francisco juggernaut Journey unveiled a defining album for the decade with “Escape” in July 1981, containing “Don’t Stop Believin’ “,”Stone in Love”, “Who’s Crying Now”,”Open Arms”, and “Mother, Father”. For the forty-fifth anniversary of this timeless effort, the Journey songwriting triumvirate of Steve Perry, founding guitarist Neal Schon, and new recruit then Jonathan Cain all recall their daring “Escape”.
Eric Clapton’s mid-Eighties trifecta of studio albums, starting in 1985 with Behind the Sun followed by August, peaked in November 1989 with Journeyman. Thirty-five years on it has aged remarkably well, a combination of some of Clapton’s strongest song choices, superb players to support him, and a sympathetic yet discerning producer the likes of which […]
Journey co-founders Neal Schon and Gregg Rolie are joined In the Studio by singer/songwriter Steve Perry for the 45th anniversary of the triple platinum “Evolution”.
Jonathan Cain, band co-founder/guitarist Neal Schon, and former singer Steve Perry reveal considerable personal pathos during the Big Payday provided by “Separate Ways”, “Faithfully”, and two more Journey hits which were inexplicably bumped off of “Frontiers”, “Only the Young” and “Ask the Lonely”.
With their 1978 fourth album,”Infinity”, some rock writers even today attempt to reduce the remarkable transformation by the San Francisco band Journey as “talented veteran but commercially struggling group hires world-class singer, which anybody would recognize; shortens song arrangements; and instantly becomes the biggest band in America”. “Wrong,” says Journey lead guitarist/songwriter/co-founder Neal Schon .”Wrong!”
Believed by Pete Townshend to have been destroyed by his explicit orders as recently as in his 2012 autobiography Who I Am , the Tommy deluxe and super deluxe editions contain The Who performing Tommy in concert at London’s Wembley Arena in July 1969. Here is “Amazing Journey” .- Redbeard
Stewart Copeland and Police guitarist Andy Summers join me In the Studio on the forty-fifth anniversary of the million-selling all-important “Ghost in the Machine”, the all-important bridge to “Synchronicity” and international superstardom two years later, the week of September 28.
The fact that the Doobie Brothers reinvented themselves for their March 1976 album “Takin’ It to the Streets” is quite widely known, but the reasons for the musical shift, and the manner in which they made it work so successfully, is a fascinating back-story worthy of an HBO mini-series.. On the album’s 50th anniversary, Tom Johnston, Pat Simmons, & Michael McDonald are all here In the Studio to recall how it really went down.
It is the golden anniversary of Boz Scaggs “Silk Degrees”, one of the albums which musically defined America’s bicentennial year 1976. More accurately this Boz Scaggs interview falls under “Ultra Rare”, as the Dallas Texas native, long residing in the San Francisco Bay wine country, has led one of the more private lives in contemporary music.
REO Speedwagon believed in their long game, and their long-suffering record label gave them TEN trips to the plate until the band touched all the bases in November 1980 with “Hi Infidelity” . Lead singer Kevin Cronin and band keyboard player co-founder Neal Doughty tell the worst-to-first “ten year overnight sensation” story In the Studio.