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To my knowledge, the Jimi Hendrix early show at Berkeley CA on May 30, 1970 has never officially been released, so “Voodoo Child” is a nice appetizer for the 55th anniversary of “Electric Ladyland” coming up.
It is the massively popular September 1983 release “Sports” by Huey Lewis and the News. Huey Lewis is my guest here In the Studio.
The band Boston had by August 1978 sold seven million copies on its way to becoming the top-selling debut (now over 17 million ), and the follow-up “Don’t Look Back” was being rush released to North American rock radio stations. Boston, led by my guest here in this classic rock interview, guitarist/composer Tom Scholz
“Bookends” by Simon and Garfunkel went to #1 sales in both America and the UK, and since then Rolling Stone magazine has ranked “Bookends” as the #21 album of the entire Sixties, as well as #234 on their Top 500 Albums of All Time. Art Garfunkel is my guest In the Studio for this ultra-rare classic rock interview.
With the rousing martial rhythms from Larry Mullen jr’s drums on the opening to “Sunday Bloody Sunday”, the tortured passion evident in Bono’s voice over The Edge’s stiletto guitar stabs on “New Year’s Day”, and Adam Clayton’s rolling bass on “Surrender” as well as “Two Heats Beat as One”, War by U2 was a musical proclamation of a serious contender on the unfolding Eighties rock vista. Hear the fortieth anniversary classic rock interview In the Studio.
This solo performance by Sting (his first ever) of “Message in a Bottle” at the second Amnesty International fundraiser in London 1981 , known as “The Secret Policeman’s Other Ball”, is extremely rare …(more)
Preparing this interview with Black Crowes co-founders singer Chris Robinson and his younger guitar-playing brother Rich Robinson to mark their second release, “The Southern Harmony and Musical Companion”, the deja vu was uncanny and not a little bit unsettling. Constantly I had to remind myself that the trends these Atlanta natives were seeing in the mid-1990s, and the predictions they made then, sound eerily like today’s headlines. Peering now into their spyglass in reverse, it is both remarkable in its accuracy but, I must admit, troubling in its sense of creeping inevitability.
‘Blackout”, the March 1982 big breakthrough in the US for the irrepressible Scorpions. Over the decades I’ve had countless famous musicians claim that rock & roll had become their life, but only John Kay of Steppenwolf and the members of The Scorpions knew that playing rock music could COST them their lives…
It’s the all-important 1981 “Don’t Stop” EP by Billy Idol. In the last spasms of the London Punk Rock scene circa 1980, Generation X and their front man Billy Broad had the career arc of a bottle rocket, briefly filling English dance floors with the celebratory single “Dancing with Myself”and a cover of “Mony Mony”. But Punk Rock’s purpose of being a disruptive force to reset all the tumblers of popular music was practically fulfilled by then, and had no second act, so Billy Idol needed a new start. Billy Idol is my guest In the Studio.
Beginning in 1979 and continuing all the way until 1987 with “Crest of a Knave”, Jethro Tull’s fate and fortunes would be quite unlike their first decade of success when the unique amalgam of blues rock, Scottish Highlands folk, and hard rock, led by my guest Ian Anderson and exemplified by “Aqualung” and the worldwide #1-seller “Thick As a Brick”, packed US arenas.