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R.E.M. “Murmur” quietly emerged April 12, 1983 and has never left my essential music list, along with its follow-up “Reckoning” forty years ago. Michael Stipe & Peter Buck are here In the Studio for “Reckoning” 40th anniversary. Songs include “Radio Free Europe”,”South Central Rain”,”Can’t Get There from Here”,”Driver 8″, and an ultra-rare live acoustic performance of “Maps and Legends” from McCabe’s Guitar Shop in Santa Monica.
“Let’s Dance” was nominated for the Grammy Award for Album of the Year in 1983, and if David could have moonwalked like Michael Jackson, Bowie probably would have won. it was no surprise that multi-media maven David Bowie, who seemed tailor-made then for the dawn of the MTV era in America when “Let’s Dance” was released, would later be among the first to embrace computer-generated gaming and virtual reality, which David discussed at length here, reprised on the album’s fortieth anniversary.
“Bookends” by Simon and Garfunkel went to #1 sales in both America and the UK, and since then Rolling Stone magazine has ranked “Bookends” as the #21 album of the entire Sixties, as well as #234 on their Top 500 Albums of All Time. Art Garfunkel is my guest In the Studio for this ultra-rare classic rock interview.
We celebrate “Queen Forever” and Freddie Mercury’s memory with Queen’s Brian May and Roger Taylor.
Progressive rock band Genesis flirted perilously close to the mainstream for the first time in December 1976 with “Your Own Special Way” on the album”Wind and Wuthering”, yet there are no reports of any permanent injury. Mike Rutherford and Phil Collins join me In the Studio. -Redbeard
Keith Reid, Procol Harum lyricist, has passed away March 23. “Live with the Edmonton Symphony Orchestra” from the eclectic British band Procol Harum, which has the distinction of placing two of the most unlikely songs at the top of the singles chart five years apart with “Whiter Shade of Pale” in 1967 and “Conquistador” in 1972. This ultra-rare interview features organist Matthew Fisher, lyricist Keith Reid, guitarist on the first three studio albums,Robin Trower, and the late singer/pianist Gary Brooker.
Highly significant in their long, colorful history,” Lynyrd Skynyrd 1991″ was the band’s sixth studio album but, more importantly, the first new studio album since 1977’s fateful “Street Survivors”; their first since the tragic plane crash that year claimed the lives of three band members; their first to anoint original Lynyrd Skynyrd lead singer Ronnie Van Zant’s youngest brother, Johnny, as their permanent singer; the return of original guitarist Ed King, And sadly, “Lynyrd Skynyrd 1991” would be the first album without original guitarist Allen Collins.
…the dearly departed Chris Whitley in July 1991 outdoors in Dallas Texas under a tent on the lawn with no stage, no monitors, tiny PA, accompanied only by several ancient Depression-era guitars and dobro with warped necks going in and out of tune, sharing “Poison Girl” from his debut album Living With the Law.
When it’s the REO Speedwagon brand, you’ll be surprised how fresh and tasty forty-five year old “Tuna Fish” is! Kevin Cronin and Neal Doughty of REO are In the Studio with Redbeard.
The tale of Lynyrd Skynyrd and “Street Survivors” seems to have been hatched in the vivid imagination of Tennessee Williams, Harper Lee, or William Faulkner, but the characters are so colorful, the childhood bonds so strong, the struggles so personal, the victories so inspiring, and the heartbreak so deep that there is simply no need for hyperbole in telling it. The dearly beloved late co-founder Gary Rossington was my guest In the Studio.