YES- Best pt 1- Jon Anderson,Tony Kaye,Bill Bruford,Steve Howe,the late Chris Squire
YES the early best “Fragile” and “Close to the Edge” with Jon Anderson, Rick Wakeman, Tony Kaye, Bill Bruford, the late Chris Squire
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YES the early best “Fragile” and “Close to the Edge” with Jon Anderson, Rick Wakeman, Tony Kaye, Bill Bruford, the late Chris Squire
Clearly, young Jeffrey Gaines was already reinterpreting Peter Gabriel’s “In Your Eyes” and mesmerizing audiences with it as early as Fall 1992, which this live acoustic performance on my Q102 Dallas/Ft.Worth radio show reveals.
Happy birthday to The Who‘s Roger Daltrey tomorrow (Tuesday )! Here’s The Who performing Pete Townshend‘s “Behind Blue Eyes” live on 17 December, 1982 in Toronto Maple Leaf Gardens. – Redbeard
It had been such a “long time”, almost seven years, since the band Boston had released a new album and toured, that when Tom Scholz, Brad Delp and Boston (band) returned to the concert stage in Summer 1987, t was international news. It also was a terrifying re-entry to live performance for the shy, soft-spoken lead singer Delp…
…prior to “Help Yourself”. A peculiar and confounding thing happened with the reception to that fourth Julian Lennon album and its brilliant eco-ballad “Saltwater”. The song went to #6 in the UK and straight to #1 in Australia, but failed to even chart in America. Julian Lennon is my guest In the Studio.
“Who’s Next” by The Who, ranked by Rolling Stone magazine as the #77 rock album of all time, this August 1971 absolute musical masterpiece is mated with an incredibly illuminating classic rock interview with its composer, Pete Townshend, here In the Studio including the songs “Baba O’Riley”,”Bargain”,”Going Mobile”,”Behind Blue Eyes”,”Getting in Tune”, and “Won’t Get Fooled Again”…
In July 1981, Stevie Nicks already was in arguably America’s most popular band, Fleetwood Mac, but her first solo album then, “Bella Donna”, took her career to another level entirely, a fact that was by no means guaranteed and which came at some cost. Stevie spells it all out quite candidly In the Studio while revealing the stories and characters behind “Edge of Seventeen”, “Leather and Lace” with Don Henley, and the timeless duet with Tom Petty on his “Stop Draggin’ My Heart Around”.
Al Stewart joins me In the Studio in a rare interview about his breakout 1976 album “Year of the Cat”. But being witness repeatedly to rock history apparently accounted for nothing when Al Stewart’s seventh album, “Year of the Cat”, was unceremoniously turned down by every major UK record label 50 years ago.
“Every Good Boy Deserves Favour” was the Moody Blues’ seventh album in a string of commercially and critically popular efforts. Singer/lead guitarist Justin Hayward, singer/bass player the late John Lodge, and departed Moody Blues co-founder drummer Graeme Edge take “Every Good Boy Deserves Favour” to share here In the Studio insights into some of the Moody Blues’ best of those early years.
July 1991’s “Into the Great Wide Open”, Tom Petty and the Heartbreakers’ first post-Traveling Wilburys/”Full Moon Fever” effort with his own band. First, Tom turned forty. “I’ll probably look back at this as some kind of mid-life crisis album,” Petty chuckled, “and go,’God, I should’ve just lightened up ! Should’ve had a drink and forgot about it!’ ,,.It’s very hard living your life as we have in tour buses and airplanes for all of this time… And you do kind of realize that ,’ Gee, twenty more and I’m outta here!’ So you do take stock of that, you do.”
