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We had never met anyone in rock music quite like The Pretenders bandleader Chrissie Hynde, and honestly in the forty+ years since, I still haven’t…I have Ms. Hynde here to speak for herself In the Studio about The Pretenders/ Pretenders II, one of rock’s most important one-two Post-punk punches.
Bonnie Raitt in June 1991 released “Luck of the Draw”, her biggest-seller album ever. Bonnie Raiitt is my guest In the Studio.
Listening now to the epic title song to “Tarkus”, the second studio album in June1971 which followed quickly after their stunning 1970 debut, with Greg Lake’s voice delicately yet nimbly bounding along to Keith Emerson’s piano runs, it’s clear that Emerson Lake and Palmer were much less “Be Bop a Lula” in their melodic grandeur and much more “Andrew Lloyd Weber”. Here In the Studio is the story in their own words of progressive rock’s first supergroup.
Metallica “Load” did not budge from the top seller position for a full four consecutive weeks in June 1996 because of such tender love songs as “Ain’t My Bitch”,”Bleeding Me”,”King Nothing”, “The House Jack Built”, and “Until It Sleeps”. Guitarist/singer James Hetfield and guitarist Kirk Hammett are surprisingly unguarded, conversational, and open about this dizzying rocket ride into superstardom.
After scoring a worldwide #1 seller with “Seventh Sojourn” in 1972, then spending the next two years mounting the largest concert tour in history at the time, the Moody Blues as a collective baffled everyone by taking practically the rest of the Seventies off. To fill in the missing piece of the puzzle, as well as mark the forty-fifth anniversary of their #1 selling album “Long Distance Voyager”, Moody Blues lifers Justin Hayward and the late John Lodge are my guests here In the Studio.
“Live with the Edmonton Symphony Orchestra” from the eclectic British band Procol Harum, which has the distinction of placing two of the most unlikely songs at the top of the singles chart five years apart with “Whiter Shade of Pale” in 1967 and “Conquistador” in 1972. My ultra-rare interview features organist Matthew Fisher, lyricist the late Keith Reid, guitarist on the first three studio albums, Robin Trower, and the late singer/pianist Gary Brooker.
Redbeard rocks St Patty’s Day with Spotify all-Irish playlist!
“Love It to Death” in March 1971 may have been the third album by the band Alice Cooper, but that doesn’t change the fact that nobody bought the first two. By December of that same year, EVERYBODY had heard “I’m Eighteen” off of Love It to Death , and Alice Cooper had written and recorded a soon-to-be-classic additional full album, “Killer”. And it was. Alice proves in my classic rock interview that you can project practically any fringe, edgy, sociopathic image in rock and get away with it – as long as you deliver the hits.
With Belfast-born Van Morrison’s the mainstream rock audience November 1970’s “His Band and Street Choir” finally caught up to the quality jazzy, folksy rhythm’n’blues Morrison had been belting out consistently since critics began lauding his debut,”Astral Weeks”. This rare 21st century classic rock interview was conducted in Belfast by the BBC’s intrepid John Bennett.
In the Studio we never featured a more influential, important, essential album than Santana ‘s second effort, “Abraxas” released in October 1970. Simply stated, this is the Magna Carta of World Music. Carlos Santana and Gregg Rolie are joined by drummer Michael Shrieve In the Studio for the “Abraxas”.