Def Leppard- Hysteria- Joe Elliott, Ric Savage
Def Leppard lifers Joe Elliott and Ric Savage join Redbeard In the Studio for the mega-hit “Hysteria”.
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Def Leppard lifers Joe Elliott and Ric Savage join Redbeard In the Studio for the mega-hit “Hysteria”.
David Bowie’s “The Rise and Fall of Ziggy Stardust” changed the trajectory of rock music, fashion, and gender social issues in just 38 minutes. Here are the late David Bowie and guitarist Mick Ronson with me In the Studio.
Down through the history of mankind, first flights such as The Eagles are revered: the Montgolfier brothers in Paris in 1783 with their hot air balloon; the Wright brothers in 1903 with powered flight, Apollo 11 landing on the Moon…In June 1972 when the debut album by a Southern California-based band The Eagles was quietly released, it had none of the anticipated date-with-destiny public spectacle shared by all of the aforementioned events. But history proved that the original quartet’s first flight would quickly allow a career to take wing that would soon soar, resulting in The Eagles becoming the most popular American band ever. Original member Randy Meisner & co-founder the late Glenn Frey are with me In the Studio for the story on the 50th anniversary of The Eagles.
Debut release Foreigner became the fastest-selling debut album in Atlantic Records’ long storied history. Foreigner founder Mick Jones and original singer/co-writer Lou Gramm join me here In the Studio for realization of their collective dream in the stories behind the songs “Cold As Ice”, “Headknocker”, “Starrider”,”Long Long Way from Home”,”At War with the World”, and the time-less “Feels Like the First Time”.
He may have waited interminably long on the Rock Hall induction, but over fifty years ago his third solo effort, a double album no less, put forth Todd Rundgren’s effective nomination loud and clear by spotlighting him and his Spring 1972 masterpiece “Something/ Anything?”. Todd Rundgren is my guest In the Studio.
In January 1967 when John Densmore’s snare drum cracked like a rifle shot before Ray Manzarek’s nimble fingers made their intricate run of baroque-sounding notes on that reedy Farfisa organ, all on the introduction to jazz/flamenco guitarist Robbie Krieger’s composition “Light My Fire”, it clearly and boldly announced a unique approach to rock and roll that really has no peer. And all of that before Jim Morrison stepped up to the microphone to introduce one of the greatest voices and hedonistic personalities in rock history. Not unlike Creedence Clearwater Revival from the same period, no other American bands put out more albums in less time which were more influential in the last 50+ years. And like CCR, no one ever sounded like The Doors ever since. Here is Doors co-founder the late Ray Manzarek with me In the Studio to mark The Doors anniversary. -Redbeard
…In part one of this classic rock interview I make the case that no one waiting in the wings of the Rock Hall has done more for rock music over the last half century, in more ways, than Todd Rundgren.
Rock and Roll Hall of Fame inductee-to-be Todd Rundgren performed a concert in Connecticut in 2015 that was breathtaking in it’s career overview, from the Nazz to Utopia, and including almost five decades of brilliant solo songs such as “Can We Still Be Friends?”.
By the time John Mellencamp released October 1991’s “Whenever We Wanted” , containing the hits “Get a Leg Up” and “Again Tonight”, his record-making not only made him one of the Eighties’ most popular singer/ songwriters, he had already influenced the sound of his peers…twice. John Mellencamp is my guest In the Studio.
On a maximum scale of five stars, the 1977 debut by Cheap Trick receives AllMusic.com’s highest rating. And the even more melodic, better sounding sophomore effort “In Color” in the same year earns 4 1/2 stars. Then Cheap Trick’s Rick Nielsen, Robin Zander, Tom Petersson, and Bun E. Carlos wrote and recorded the masterpiece “Heaven Tonight” in May 1978, yet again scoring a critics’ perfect five star rating. So in hindsight it would appear that recording the Rockford IL quartet’s set while performing the strongest material from these three killer studio albums, in front of an adoring audience in one of the world’s premiere venues, would be as obvious as a sumo wrestler in your shower stall.
