Tag: “Sultans of Swing”

  • Dire Straits- Mark Knopfler

    Dire Straits- Mark Knopfler

    The debut of the first Dire Straits  album is indelibly etched in my memory as the “alternative to the alternative” that Autumn 1978. While the likes of the Sex Pistols, Ramones, and Elvis Costello stole the headlines away from rock’s Establishment then, thirty-ish college English professor Mark Knopler, living on rice and beans in Deptford near the Thames River docks in London, was channeling American Dixieland and boogie woogie distilled through his Uncle Kingsley into a sound truly unique.

    “It had to be electric, and it had to be red,” Rock and Roll Hall of Fame inductee Mark Knopfler tells Redbeard about his very first guitar in my classic rock interview, focusing on the debut Dire Straits June 1978 release. Knopfler then proceeds to tell, in detail that betrays his English literature professor day job which he held before committing full time to his South London-based band of starving musicians, how as a boy he became enamored with New Orleans boogie woogie courtesy of his Uncle Kingsley. “Actually I first started on tennis racquets,” Knopfler sheepishly admits to mime-ing air guitar long before discovering American country blues after seeing Steve Phillips perform (they would later team up as the Notting Hillbillies when Knopfler retired the Dire Straits franchise).

    When the first Dire Straits album quietly came out in late 1978 containing “Down to the Waterline”,”Southbound Again”,”Water of Love”,”In the Gallery”, the subsequently oft-covered”Setting Me Up”, and the Cinderella story of that year,”Sultans of Swing”, the Knopfler compositions  and the melancholy musical soundscapes contained within could not have been more in stark contrast to the brash, loud, and snotty London punk rock bands which had been grabbing all of the headlines. With his distinctive out-of-phase Stratocaster guitar sound, and Dylanesque lyrics delivered in a husky half-spoken half-sung baritone, Mark Knopfler, his brother David, bass player John Illsley, and original drummer Pick Withers first navigated Dire Straits into the rapids of worldwide fame with that left field international hit, “Sultans of Swing” forty-five  seasons ago and, now, a berth at the Rock and Roll Hall of Fame. As Mark Knopfler  continues to make great new music like Deep River, we are thrilled to have him as our guest here to share the story of how it all started in my classic rock interview. –Redbeard

  • Dire Straits- Best pt 2- Mark Knopfler

    Dire Straits- Best pt 2- Mark Knopfler

    When the song “Money for Nothing” by Dire Straits became a worldwide hit in Summer 1985, the album Brothers in Arms   from which it came won a Grammy Award for best recorded sound, while the song won another for Best Rock Song that year. However, the album also spent a stunning nine weeks as the #1-seller in the US in 1985, eventually selling a staggering 26,000,000  copies worldwide. This kind of celebrity could not have happened to a more reluctant rock star than Dire Straits leader Mark Knopfler, and trust me here, there is absolutely no way to prepare for what comes next.

    “It changes your life,” says Knopfler thoughtfully, rubbing his chin. ” Actually, it happened on the first album with ‘Sultans of Swing’. ..It’s like someone constantly pulling at a thread of your sweater, unraveling your life.” Throughout the remainder of the Eighties and into the early Nineties, Mark Knopfler and Dire Straits attempted to surf the tsunami wave of superstardom, eventually finding the swirling water of Dire Straits way over his head. Here In the Studio  in the conclusion of my in-depth series of exclusive classic rock interviews on the members of the Rock and Roll Hall of Fame, Mark explains  why he retired the Dire Straits franchise but not from making new music, and how he finally learned to embrace his own past rather than running from it. – Redbeard

  • Dire Straits- Best pt 1- Mark Knopfler

    Dire Straits- Best pt 1- Mark Knopfler

    As I run every light on Memory Lane down to Telegraph Road…” – Mark Knopfler

    With Dire Straits visionary Mark Knopfler In the Studio  we thought we would “mark” the occasion of the London band’s Rock and Roll Hall of Fame induction with part one of some of their best, starting over forty years ago with that unforgettable debut Dire Straits in Fall 1978 containing the story song “Sultans of  Swing”.  Like David Bowie did five years before and Sting would repeat five years later, Dire Straits’ October 1980 third release Making Movies   is Mark Knopfler‘s unabashedly “Big Apple” album through the eyes of an Englishman in New York who had grown up an ocean away on Hemingway, Kerouac, Ginsberg, and Bob Dylan. Making Movies  contains cinematic epic-length songs” Tunnel of Love”,”Romeo and Juliet“, and “Skateaway“, reminiscent of Bruce Springsteen‘s Born to Run  mini-movies, and borrowing E Street pianist Roy Bittan and engineer/ producer Jimmy Iovine helped to capture that atmosphere, while rockers “Espresso Love” and “Solid Rock” still pack a punch. 

    Later in my classic rock interview here In the Studio , Mark Knopfler himself would fault some of his unrestrained guitar pyrotechnics which extended into the next Dire Straits album, Love Over Gold  in September 1982, in favor of a more economical approach with spectacular results on Brothers in Arms.  But Making Movies  and Love Over Gold , with its epic “Telegraph Road” and “Industrial Disease”, were the points where Dire Straits solidified an ardent worldwide following as the top-selling band in the emerging compact disc era by the end of that decade. Part one of two. –Redbeard