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REO Speedwagon believed in their long game, and their long-suffering record label gave them TEN trips to the plate until the band touched all the bases in November 1980 with “Hi Infidelity” . Lead singer Kevin Cronin and band keyboard player co-founder Neal Doughty tell the worst-to-first “ten year overnight sensation” story In the Studio.
It was their fifth album,”Listen Like Thieves” in Fall 1985, where INXS finally picked the lock to the top of the American charts with “Listen Like Thieves”. keyboard player/songwriter Andrew Farriss, guitar-playing brother Tim Farriss, and guitar/sax man Kirk Pengilly, tell of the tough and tender early days ; allying with a talented singer from Hong Kong-via-Hollywood, the mercurial snake-hipped Michael Hutchence;
Widely viewed along with Bob Dylan, The Byrds, and Gram Parsons as fathers of the Americana musical movement, The Band also may have been one of rock’s first alternative groups. In part one of this classic rock interview, main songwriter Robbie Robertson (“The Weight”,”The Night They Drove Ol’Dixie Down”,”Up on Cripple Creek”,”The Shape I’m In”) helps me make that case on the 55th anniversary of “Stage Fright”.
Rock Hall Snubs: Ozzy Osbourne
Bob Seger & the Silver Bullet Band “Against the Wind” was one of their seven Top 10 multi-platinum albums in a row. Bob Seger is my guest on “Against the Wind” ‘s 45th anniversary.
Bob Seger and the Silver Bullet Band’s “Nine Tonight” really does feel like a close approximation of seeing the tireless veteran Detroit singer/songwriter and his band when they were one of America’s top live acts. Bob Seger is my terrific guest here In the Studio.
Steve Winwood talks about his seventh solo album, “Junction Seven”, and how a so-called “solo” album inevitably isn’t at some point in the creative process, in my classic rock interview.
The many stages of The Who’s “Tommy” conception, gestation, and birth as the first successful rock opera are further revealed, it seems, every time “Tommy” composer Pete Townshend cleans out a storage closet. Townshend joins Redbeard In the Studio to present this rock sonogram of The Who “Tommy” while still in the creative womb, part 1.
Rockford, Illinois’s Cheap Trick proved to be no joke on the live, Japan-only “At Budokan”, but the story of how the rest of the world ever got to hear it in February 1979 is a total fluke. Hear the story In the Studio from Cheap Trick’s Robin Zander and Rick Nielsen.
My second George Harrison interview that focused on his return to performing in England for the first time in over 25 years on stage at London’s Royal Albert Hall; the support of his longtime friend,Eric Clapton; and several examples of his delightful impish sense of humor.