Allman Brothers Band- In Memory of Elizabeth Reed- LA 6-11-92
This live acoustic version of “In Memory of Elizabeth Reed”, originally served up fifty years ago on only their second album, Idlewild South .
If you are not happy with the results below please do another search
This live acoustic version of “In Memory of Elizabeth Reed”, originally served up fifty years ago on only their second album, Idlewild South .
The World Premiere radio interview special in July 1980 for the Lynyrd Skynyrd survivors’ highly-anticipated ( and highly emotional ) return as the Rossington Collins Band on “Anytime, Any Place, Anywhere”.
“Whipping Post”,”Dreams”, and “Trouble No More” all came from the Allman Brothers Band’s debut album in 1969, which is delightfully documented here by the late Gregg Allman In the Studio.
With the release of the album Darkness on the Edge of Town in 1978, Bruce Springsteen went from the Cinemascope sweep of Born to Run three years earlier to the Rock Generation’s defacto Secretary of Labor.
–Gary Rossington, Dale Krantz, Allen Collins interviews conducted by Redbeard May 1980 in a Manhattan hotel room. -Source is analog open reel transferred flat to WAV file. A little noise reduction is the only processing. -Silence gaps are open reel tape leader on master. -For DEMONSTRATION ONLY, not for production. Copyright 2017 BeardedFISCH LLC, cannot […]
Maybe one of the reasons that Bruce Springsteen scored his first #1-seller in 1980 for the double album The River is because he had been road-testing some of the material in concert for years, such as this performance of “Independence Day”in 1978.
“I’m probably the worst musician in the band,” admits Ray Davies of The Kinks In the Studio on the forty-fifth anniversary of The Kinks live album “One for the Road”. “They’re very good players, and this record shows them off as players as well.” Part one of my classic rock interview.
The surprise success from “Black Water” afforded the Doobie Brothers some creative license on their next album, “Stampede”, released in April 1975. But as you will hear from Patrick Simmons, Tom Johnston, and the late Doobie drummer Mike Hossack, the non-stop grind of five years of one-nighters, stopping only long enough to record the next album, was starting to create stress fractures in the foundation of the band which would sideline Tom Johnston with a bleeding ulcer and, ultimately, alter the sound of the Doobie Brothers for the next decade.
Even a half-century after its April 1975 release, the two things I recall most about “Stampede”, the fifth album from San Jose’s Doobie Brothers, was the duality evident in the band’s emerging sound. There was the noticeable sophistication in the sweeping symphonic “I Cheat the Hangman”, but in stark contrast to the Doobie Brothers’ big hit with the Motown cover of “Take Me in Your Arms (Rock Me for a Little While)”. Band co-founders Tom Johnston and Patrick Simmons join me In the Studio for the golden anniversary of “Stampede” by the Doobie Brothers the week of April 28.
“Nuthin’ Fancy” indicated a creative well running low for Lynyrd Skynyrd which would only worsen soon on “Gimme Back My Bullets”. No doubt the non-stop pace of nearly constant touring partly was to blame, but there was something darker and even more sinister which no one outside the band knew, nor anyone in it would admit. This tour had casualties…United once again in Eternity, Gary Rossington, Leon Wilkeson, & Ed King played it like they felt it here In the Studio.