By October 1976, it was go big or go home for Kansas, the intrepid six-man Progressive Rock band from Topeka, Kansas. Because of the hit "Carry On Wayward Son" ( submitted by the prolific Kerry Livgren even as the band was packing up to leave rehearsals ) and radio hits "Miracles Out of Nowhere","The Wall", "Cheyenne Anthem", and "What's On My Mind ", "Leftoverture"  gave Kansas rock statehood to the tune of over four million sold. Livgren is joined by Richard Williams, Phil Ehart, Steve Walsh, & the late original Kansas violinist/singer Robbie Steinhardt here In the Studio.

It's the all-important 1981 "Don't Stop"  EP by Billy Idol. In the last spasms of the London Punk Rock scene circa 1980, Generation X and their front man Billy Broad had the career arc of a bottle rocket, briefly filling English dance floors with the celebratory single "Dancing with Myself"and a cover of "Mony Mony". But Punk Rock's purpose of being a disruptive force to reset all the tumblers of popular music was practically fulfilled by then, and had no second act, so Billy Idol needed a new start. Billy Idol is my guest In the Studio.

By the time October 1981 's fourth Police album "Ghost in the Machine"  was dispatched, the exposed roots and influences shown by the London-based trio founded by Yankee drummer Stewart Copeland, who had emerged from the dying embers of the Punk Rock scene there, were more Miles and Mingus than Johnny Rotten. "Ghost in the Machine" topped the UK sales chart, #2 on Billboard  album chart, over three million copies sold in America alone, and Rolling Stone  magazine ranking it at #322 on their Top 500 Albums of All Time list. Police commissioner Stewart Copeland and six-string sharpshooter Andy Summers are your personal Ghost...busters with me here In the Studio in my classic rock interview.