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Jimi Hendrix performed two 1970 Memorial Day concerts in Berkeley CA at which he unveiled unreleased songs, including the portentous “Hear My Train a Comin’ “. Presented to honor American Black History Month.
Because of production delays and the notorious rainstorm, the Woodstock “headliner” and highest-paid performer reserved to close the show, Jimi Hendrix, ended up going on in the morning light of Monday, April 18. when many of the hundreds of thousands had left. Three who remained that day and participated in the legendary performance are my guests bass player Billy Cox, drummer Mitch Mitchell, and recording engineer Eddie Kramer.
Jimi Hendrix and his British trio the Experience created a landmark double album in 1968 called “Electric Ladyland”, but this deep into the 21st century it may be difficult for many to fully understand the context in which it was made and the world into which it was subsequently released. Experience drummer the late Mitch Mitchell & Hendrix biographer/film director John McDermott tell the story from the inside.
Biographer and reissue producer John McDermott is featured along with one of the last interviews with dear sweet Experience drummer John “Mitch” Mitchell in the first of our two-part In the Studio special on “Electric Ladyland” by the Jimi Hendrix Experience.
To my knowledge, the Jimi Hendrix early show at Berkeley CA on May 30, 1970 has never officially been released, so “Voodoo Child” is a nice appetizer for the 55th anniversary of “Electric Ladyland” coming up.
Jimi Hendrix mutated rock’s DNA & we have been trying to decode the Hendrix genome for more than half a century ever since “Are You Experienced?” was released in the UK May 1967. Jimi Hendrix Experience drummer the late Mitch Mitchell, Hendrix recording engineer Eddie Kramer, & expert Hendrix biographer/ archive producer John McDermott are my guests In the Studio..
After the Jimi Hendrix Experience and Cream broke up, the heir to the throne of most powerful US rock band was the group Mountain…Led by the hulking guitarist/singer/songwriter Leslie West, Mountain posed a daunting challenge to sound engineers, both in the recording studio and live in concert. Here is a rare live recording of Mountain performing “Never in My Life” in late December 1973.
Al Stewart joins me In the Studio in a rare interview about his breakout 1976 album “Year of the Cat”. But being witness repeatedly to rock history apparently accounted for nothing when Al Stewart’s seventh album, “Year of the Cat”, was unceremoniously turned down by every major UK record label 50 years ago.
“Live with the Edmonton Symphony Orchestra” from the eclectic British band Procol Harum, which has the distinction of placing two of the most unlikely songs at the top of the singles chart five years apart with “Whiter Shade of Pale” in 1967 and “Conquistador” in 1972. My ultra-rare interview features organist Matthew Fisher, lyricist the late Keith Reid, guitarist on the first three studio albums, Robin Trower, and the late singer/pianist Gary Brooker.
Another stellar live performance, no overdubs, by the Robert Cray Band at Dallas club Redux in July 1987, “Smoking Gun” and the album Strong Persuader resulted in Cray being heralded by no less than legendary Dallas native Steve Miller as “…the most important contemporary blues singer/guitarist/songwriter since Jimi Hendrix.” Recorded impeccably by In the […]